Winding up the decibel meter in Shostakovich

Von Mark Pullinger, 30 August 2017

Laden, bitte warten...

Veranstaltung anzeigen

“Heavy artillery percussion and ear-syringing brass dominated”

Rezensierte Veranstaltung: Royal Albert Hall, London, am 29 August 2017

Strawinsky, Der Feuervogel: Suite (revised version 1919)

Rachmaninow, Klavierkonzert Nr. 4 in g-Moll, Op.40 (revised version 1941)

Sibelius, Romanze in des-Moll für Violine und Klavier, Op.24 Nr.9

Schostakowitsch, Symphonie Nr. 12 in d-Moll "Das Jahr 1917", Op.112

Rachmaninow, Vocalise, Op. 34 Nr. 14

Leif Ove Andsnes, Klavier

Oslo Philharmonic

Vasily Petrenko, Musikalische Leitung

Das Sichtbare und das Unsichtbare: Oslo Philharmonic und Klaus Mäkelä

Svenja Koch, 1st September

Triumph ohne Triumphalismus: Schostakowitschs Symphonie Nr. 5 begeistert das Publikum beim Musikfest Berlin.

****1

Feuerprobe teilweise bestanden: Klaus Mäkelä am Lucerne Festival

Thomas Schacher, 24th August

Nachdem der junge finnische Dirigent Klaus Mäkelä bereits eine aufsehenerregende Laufbahn zurückgelegt hat, gibt er nun sein Debüt am Lucerne Festival. Die Eindrücke gehen in verschiedene Richtungen.

***11

Virtuosity and volume: Oslo Phil plays Tchaikovsky and Shostakovich

Chanda VanderHart, 22nd January

Batiashvili’s account of the Tchaikovsky concerto confirms why she remains one of the most compelling violinists of her generation.

***11

Coup double dans Chostakovitch pour Mäkelä et l'Orchestre d'Oslo

Jean-Pierre Rousseau, 20th January

Le chef finlandais et l'orchestre norvégien ont donné une interprétation admirable – mais presque trop belle – des Sixième et Huitième Symphonies de Chostakovitch.

****1

Batiashvili, Mäkelä and the Oslo Philharmonic in Hamburg

Mengguang Huang, 18th January

A last-minute programme change doubles Batiashvili’s Tchaikovsky at the Elbphilharmonie, but repetition is transformed into fresh revelation.

****1

A high Klaus operation: Mäkelä and the Oslo Philharmonic

David Karlin, 23rd October

In their home concert hall under their Chief Conductor, the Oslo Philharmonic produce a high quality performance of Tchaikovsky's Fourth Symphony.

****1

Weitere Kritiken...

Mark Pullinger

Mark has been a Bachtrack editor since 2014. He is also an experienced critic, writing hundreds of reviews for the site, as well as a freelancer writing for other magazines and newspapers. He also writes programme notes and blogs on Substack. Mark has a particular passion for the operas of Verdi as well as Russian and French repertoire. Outside the concert hall and opera house, Mark enjoys cooking and travel and is probably at his happiest let loose in a French patisserie or a Viennese coffee house.

Prom 60: Petrenko and the Oslo Philharmonic wind up the decibel meter in Shostakovich