Alice Coote owns Mahler’s Kindertotenlieder at the BBC Proms

Alice Coote, Ryan Wigglesworth and the BBC Scottish SO

Ryan Wigglesworth conducts the BBC Scottish SO

Por Alexander Hall, 26 julio 2024

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“the richness of her mezzo voice was deployed to full effect in maintaining the narrative line”

Crítica hecha desde Royal Albert Hall, Londres el 25 julio 2024

Brahms, Sinfonía núm. 3 en fa mayor, Op.90

Schönberg, Verklärte Nacht (Noche transfigurada), Op.4

Mahler, Kindertotenlieder

Alice Coote, Mezzosoprano

BBC Scottish Symphony Orchestra

Ryan Wigglesworth, Dirección

Astonishing Mahler 2 from Runnicles and the BBC Scottish

David Smythe, 1st March

Sir Donald Runnicles and the BBC Scottish reunite for an astonishing Mahler 2 with Karen Cargill, Jennifer Davis and the Edinburgh Festival Chorus.

*****

Sweeping Rachmaninov and scorching Barber from the BBC Scottish

Simon Thompson, 8th February

Despite the presence of Rachmaninov's Second Piano Concerto on the bill, it is a gripping performance of Samuel Barber's First Symphony that steals this Usher Hall Sunday matinee.

****1

Meditative and powerful Górecki at Celtic Connections

David Smythe, 20th January

The Celtic Connections festival showcases Górecki’s Sorrowful Songs, the BBC Scottish with soprano Francesca Chiejina conducted by Pawel Kapula with a thoughtful introductory song set from Alice Zawadzki.

****1

Celebrating 90 years of the BBC Scottish Symphony Orchestra

David Smythe, 20th November

Martyn Brabbins conducts MacMillan’s Confession of Isobel Gowdie, BBCSSO founder Ian Whyte’s forgotten Violin Concerto with Stephanie Gonley, and a memorable Rachmaninov 2.

****1

Canellakis brings sparkle and shine to Stravinsky and Bernstein

Simon Thompson, 21st August

Karina Canellakis brings a riot of Technicolor to the Edinburgh International Festival, but countertenor Hugh Cutting threatens to steal the show in Chichester Psalms.

****1

Revelatory Birtwistle and Beethoven from the BBC Scottish SO

Peter Quantrill, 28th July

A composer-conductor's insight yields lasting rewards in Earth Dances and the Eroica at the Royal Albert Hall.

*****

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Alexander Hall

Alexander Hall divides his time between London and Hamburg, where he had a career in academic administration and teaching. He reviews for Bachtrack and Opera Today, and has also reviewed for Classical Source. A connoisseur of the great orchestras of the world, his musical memories stretch back to Karajan/Berlin Phil, Mravinsky/Leningrad Phil, Bernstein/Vienna Phil, and he has seen most of the great conductors from the past, including Böhm, Klemperer, Kubelik, Ormandy and Szell.