Marianela Núñez delivers outstanding versatility in Romeo and Juliet

Por Graham Watts, 12 enero 2022

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“her creation of Juliet seemed to come from within, channelling honest emotion rather than artifice”

Crítica hecha desde Royal Opera House, Covent Garden, Londres el 10 enero 2022

Romeo y Julieta (Sir Kenneth MacMillan)

The Royal Ballet

Alondra de la Parra, Dirección

Jonathan Lo, Dirección de escena

Nicholas Georgiadis, Diseño de escena

John B. Read, Diseño de iluminación

Orchestra of the Royal Opera House Covent Garden

Marianela Núñez, Bailarín

Federico Bonelli, Bailarín

Ryoichi Hirano, Bailarín

Marcelino Sambé, Bailarín

Téo Dubreuil, Bailarín

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Graham Watts

Graham Watts is a freelance dance writer and critic writing regularly for Dancing Times, Dance Europe, Danza Europa, and many more publications. He regularly writes features for Sadler’s Wells, London Coliseum and La Scala. Chairman of the Dance Section of the Critics’ Circle in the United Kingdom and of the UK National Dance Awards he has interviewed many of the greatest names in dance including Maya Plisetskaya, Vladimir Vasiliev, Boris Eifman, Alexei Ratmansky, Andris Liepa, Sir Peter Wright, David Bintley and Dame Gillian Lynne. When not involved in dance Graham is a keen fencer, and has captained the British Sabre team.

Marianela Núñez delivers outstanding versatility in Romeo and Juliet at Covent Garden