Magnificent Martinů and expressive Dvořák in Manchester

Por Peter Connors, 24 marzo 2019

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“Ioniţă gave a highly expressive performance of this most romantic of concertos”

Crítica hecha desde The Bridgewater Hall, Mánchester el 23 marzo 2019

Stravinsky, Orpheus

Dvořák, Concierto para violonchelo en si menor, op. 104

Bach, Cello suite no. 1 in G major, BWV1007: Sarabande (Encore)

Martinů, Symphony no. 4, H.305

Andrei Ioniţă, Violonchelo

BBC Philharmonic Orchestra

John Storgårds, Dirección

Triunfal comienzo del Festival Internacional de Música de Canarias

Francisco Martínez Ramos, 13th January

Gran comienzo del 39 Festival Internacional de Música de Canarias, que contó con la Filarmónica de la BBC bajo la dirección de Juanjo Mena y con la violinista Clara-Jumi Kang como solista.

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Mena y la BBC Phil inauguran el Festival de Santander

Ramón del Buey Cañas, 5th August

Con el empaste orgánico y la complicidad construida concierto a concierto desde 2011, el tándem BBC-Mena vibró, bailó y estremeció. El torrente sonoro cuidó hasta el menor recoveco de pentagrama, cuajando el mejor de los augurios para lo que resta de festival.

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Wagner and Strauss from Sarah Wegener and the BBC Philharmonic

Leighton Jones, 14th March

Celtic legends and dramatic landscapes fill Manchester’s Bridgewater Hall in an evening of emotional and reflective music under conductor Nicholas Carter.

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Watery worlds, rhythmic fire from Brauß and Hickox with the BBC

Leighton Jones, 7th February

Elisabeth Brauß excels in Ravel with the BBC Philharmonic and brings and unexpected encore.

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BBC Phil's Bluebeard's Castle eclipsed by Boulanger and Kodály

Peter Connors, 24th January

Anja Bihlmaier conducts the BBC Philharmonic in a moving D'un soir triste and joyful Dances of Galánta. Bluebeard's Castle, despite some fine things. feels less satisfying.

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Questions, answers and city nights: Storgårds and the BBC Philharmonic

Leighton Jones, 17th January

In three hugely different musical voices, John Storgårds with the BBC Philharmonic Orchestra move from the intimacy of Ives to the exhilaration of Adams, taking in Beethoven on their way.

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Peter Connors

Peter has been attending concerts and operas enthusiastically since his parents took him to see The Mikado in Liverpool when he was a boy of ten and to a “family concert” given by the RLPO a year or so later. Peter studied Modern Languages at Worcester College, Oxford and Law in Manchester. After spending twenty years as a pensions lawyer in Manchester, he retrained as a teacher of English as a foreign language, which took him to Germany and to Serbia. With the onset of the pandemic he returned to the UK and now works online and frequents concert halls and theatres in the North West of England.