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The Paris Opera Ballet gave excellent performances of Kenneth MacMillan’s Manon, with strong lead dancers, depicting 18th century demi-monde society, which is not so far removed from the 21st century.  

A spellbinding journey as Emmanuel Pahud plays a 70-minute solo programme in a near capacity audience in the 1600-seater concert hall.

Italian conductor Gaetano d’Espinosa is currently doing the rounds of Japanese orchestras, standing in for many of his colleagues who are unable to enter due to border closures.