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Hungarian National Ballet's La Bayadère revitalizes tradition with a new reconstruction of its forgotten final act. 

Two masterworks by Jerome Robbins, Brandenburg and A Suite of Dances, are joined by Wheeldon's steamy After the Rain and Ratmansky's Paquita challenge.

Brno National Theatre Ballet give an authentic Don Quixote indelibly forged in Madrid, offering tremendous dancing in two separate casts.

Kansas City Ballet's first love affair with Don Quixote is a striking and well-danced success.

Ballet of the National Theatre Brno, with guest artists, gave outstanding performances of this update of a great 19th century ballet.

Premiered with Norwegian National Ballet in 2009, this Don Quixote is packed with high energy classical and character roles and is colourful and extravagant.

Artistic Director, Susan Jaffe, reviving the Kingdom of the Shades for ABT’s Fall Season was both a testament to her trust in her company, and also a test.

The Royal Ballet School students shine at their annual matinée at the Royal Opera House showing exceptional talent and versatility.

The Royal Ballet School deliver a promising mixed programme with some truly exceptional individual performances.

Superstar dancer Carlos Acosta's Don Quixote debuts at the National Ballet of Canada, showcasing thrilling dancing in a sumptuous, sun-filled Spanish setting. 

National Ballet of Japan has revived its version of La Bayadère choreographed by former director Asami Maki. Brilliantly performed by strong lead dancers, the Kingdom of the Shades was particularly breathtaking.

A mix of world class performances and interesting new choreography is a bit of a magnet for ballet-goers.

National Ballet of Japan's 2023/24 season opened to a very appreciative audience with Alexei Fadeyechev’s Don Quixote. 

Carlos Acosta's Don Quixote is a dazzling production which stands out for its lack of filler moments. There are no slow crowd scenes, just flat out dancing.

Ballet Nights offers a wonderful variety of dancing and genres. Whatever your preference, there are quality performances to enjoy.

In February 2022, Kyiv City Ballet embarked upon a three week tour of France having finally recovered from scheduling disruption due to COVID, and haven't been back since.

The Australian Ballet's return to London's Royal Opera House after a 35 year absence, proves successful at every level.

A balance of classical, contemporary and folk dance, showed off the versatility of The Royal Ballet School's students at every stage of their training and the results were extremely pleasing.

This Don Quixote reveals the extraordinary depth of talent within Australian Ballet, challenging all ranks of the company and presenting a stellar production.

Don Quixote is a sunny ballet that is impossible not to enjoy, which here provided an evening of great skill and joyful entertainment. 

Carlos Acosta's Don Quixote hits the road with a successful London residency at Sadler's Wells.

In contrast to companies like the Bolshoi, ABT’s Don Quixote comes across as sweet but slight.

Norwegian National Ballet opened its new run of Natalia Makarova’s staging, with Whitney Jensen and Lania Atkins making outstanding impressions as Nikiya and Gamzatti. 

Helgi Tomasson and Yuri Possokhov's restaging of the 1869 Petipa classic brings a sunny smile to faces in San Francisco. 

Carlos Acosta restages his Royal Ballet Don Q in a refreshing revamp for Birmingham Royal Ballet.

Ivan Putrov, who has enjoyed a long career based in London, brings dancers from his homeland for a special London gala. 

Manuel Legris, whom Nureyev appointed étoile in Paris in 1986, presents an evening of Nureyev choreographies in Milan. 

New Year Ballet displayed the versatility of the National Ballet of Japan, from the 19th-century classic Paquita, to three works by Japanese choreographers and David Bintley's “Still Life” at the Penguin Café.

National Ballet of Japan marks a triumphant season opening of Don Quixote with new director Miyako Yoshida, the first ballet performance in 8 months with full seating capacity audience and live orchestra. .

A beautiful performance worth quarantining for as Latvia leads the charge to preserve art and culture. 

An event that will be long-remembered for the importance of the occasion, if not for its content. 

An evening of sparkle and bravura at London's international ballet gala. 

Fiery footwork from Margarita Shrainer and Igor Tsvirko kick life into Fadeyechev’s version of Don Quixote. 

Дон Кто? Лучше всего забыть о Сервантесе, когда речь идет о балете «Дон Кихот», особенно о постановке Алексея Фадеечева трехлетней давности, впервые показанной в театре Ковент-Гарден в 2016

Despite Carlos Acosta's staging of Don Quixote feeling a little tame, The Royal Ballet's star couple dazzles. 

What the young dancers lack in finesse they make up in boisterousness. Sidorova's dance vocabulary seems endless. Kuindersma's Mesmer radiates into the theatre.

San Francisco Ballet's Don Quixote is ultimately a winning production with surprising warmth and heart.

Vivacious dancing and abundant joie de vivre in La Scala Ballet's Don Quixote

In addition to providing a showcase for the principals, the ballet provides ample opportunity for the company's soloists to shine.

The Staatsballett jumps into the opulence of the past with Alexei Ratmansky’s reconstruction of Marius Petipa’s choreography of La Bayadère at the Staatsoper Unter den Linden

With all the right ingredients – acte blanc, love intrigue, dramatic death – La Bayadère is a classic Russian ballet.

Pennsylvania Ballet shows off in works by Balanchine, Petipa, and Wheeldon

With Contrasts, the Mariinsky dancers are put under a multifaceted microscope. 

The fireworks – when they came – were explosive, Viktoria Tereshkina and Kimin Kim igniting the Royal Opera House stage in a frenzy of effervescent footwork.

Alas, putting two stars (Kochetkova and Cornejo) together is no guarantee of success and that was certainly the case here.

Patrice Bart's staging of La Bayadère for Bayerisches Staatsballett may have been an unadventurous choice of program to kick off the Hong Kong Arts Festival but nevertheless there was much to admire.

The Bolshoi's soloists perform La Bayadère with distinction 

Everyone in the Bolshoi company encapsulates the fiery spirit of Don Quixote

The Mariinsky Ballet presents La Bayadère, here performed by a stellar cast with Diana Vishneva, Kimin Kim and Viktoria Tereshkina in the lead roles.

An uneven first act is redeemed by fine dancing in the second and third acts of Don Quixote, by Singapore Dance Theatre