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Having premiered at Sadler’s Wells just over a year ago, Alina Cojocaru and her production company, AC Workroom, have since enjoyed touring international venues, now visiting a packed Opernhaus in Bonn.

Rota's Aladdin finds new life at the Festival della Valle d'Itria thanks to the outstanding conducting of Francesco Lanzillotta. 

A brave attempt to turn Fellini's masterpiece into dance theatre. 

Massenet, Smyth and Rota are unlikely bedfellows, but in the Guildhall School's Autumn production, a one-act opera by each contributed to a most convincing triple bill, all set around the La Scala Picturehouse in the 1920s.

The first Fracci Gala at the Teatro alla Scala celebrates the memory and the stature of a child of the house, who not always considered so in life. 

With superb support from Kremerata Baltica and a smart set of soloists, Gidon Kremer continues a love affair that began 25 years ago.

A dashing, captivating concert, lacking only a few mood-changers to stimulate the audience’s eager receptors.

A fresh, gleaming production of director Elena Barbalich, with as much vaudeville as possible

Le Trio Venturis composé de jeunes solistes issus du Conservatoire d'Amsterdam et récemment primé en France lors du Concours International de Musique de Chambre d'Illzach a confirmé ses belles qualités lors d'un récital proposé à Laren, aux Pays-Bas.

A program that didn't look too exciting on paper was made special by an outstanding interpretation. 

An all-Italian programme conducted by Enrique Mazzola encompasses the theatrical worlds of opera, film and ballet as well as purely musical tone-painting.

Rota's Mysterium is emotive and direct. La Verdi demonstrated that this most human of works deserves a place on our musical maps.

Gianandrea Noseda, principal guest conductor of the Israel Philharmonic and former chief conductor of the BBC Philharmonic, made his Cleveland Orchestra debut this weekend in works by Rachmaninov and Prokofiev, and the Cleveland première of Nino Rota’s Trombone Concerto, with the orchestra’s principal trombone Massimo LaRosa as soloist. All concerned turned in solid performances.

Ein aufgefressener Strohhut und die daraus entstehenden Irrungen und Wirrungen sorgen dank spritziger Regie und bestens gelauntem Ensemble für einen unterhaltsamen Abend. 

Marco Goecke schuf eine atemberaubende Choreographie nach dem Filmklassiker von Federico Fellini.

Belle idée, pour attester à qui en douterait encore, de la place toute particulière de Nino Rota dans la musique du XXème siècle, que d’adjoindre à ces pages cinéphiliques celles de la pièce de concert Divertimento concertante pour contrebasse et orchestre. 

Gemeinsam mit Klarinettist Andreas Ottensamer schaffte das Württembergische Kammerorchester eine gelungene Verbindung aus „filmmusikartiger“ und großer Klassik, von Rota bis Mozart.