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Almost twenty years after her first Vivaldi album, Cecilia Bartoli revisits the composer in her latest recording and touring project. 

Considering how rarely celebrated diva Cecilia Bartoli appears in London, Wigmore Hall certainly pulled off a coup by making her duo concert with Philippe Jaroussky happen.

Amor vien dal destino, by the celebrated multi-talented Italian Agostino Steffani, receives its first staging in 300 years in Berlin's Schiller Theater under the direction of René Jacobs.

In spite of superb performances from the Boston Early Music Festival Orchestra and the two lead soloists, Steffani’s Niobe at the Concertgebouw offers too few inspired moments to make it truly memorable.

Abos' Stabat Mater is given an enthusiastic response at the Valletta International Baroque Festival. 

La lotta d’Ercole con Acheloo has never been performed in Italy before, so this production sheds light on both Steffani's work and on this Festival's high quality. 

In 2008, conductor Thomas Hengelbrock rediscovered Niobe, Regina di Tebe, written in 1687 by the Venetian-born, German-based composer Agostino Steffani. Although now little remembered, Steffani was a world-famous composer in his day and a man of many talents who became a diplomat and bishop as well as being a musician.

Das Freiburger BarockConsort und Vox Luminis schenkten dem Publikum in der Kollegienkirche herrliche Momente im Rahmen der Ouverture spirituelle der diesjährigen Salzburger Festspiele.

Die Ensembles offenbarten im empathisch-demütigen, stilkontrollierten Loslassen klarste Konturen des trauermusikalischen Geleits für die Passionszeit.

C’est en 2002 que Philippe Jaroussky vient chanter pour la première fois au Festival de Froville : il n’a alors que 24 ans et sa carrière débute. Ce n’est plus le même Philippe Jaroussky que l’on retrouve à Froville en 2016, dont la maturité et la maîtrise vocale se sont affirmées durant ces années.

El grupo español Forma Antiqva ofrece una selección de dúos de Agostino Steffani junto con Carlos Mena y Eugenia Boix

Le Boston Early Music Festival Orchestra et pas moins de neufs chanteurs issus de différents horizons étaient réunis pour l’exécution du septième opéra en trois actes du compositeur italien Agostino Steffani, Niobe, Regina di Tebe.