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A feast of Tchaikovsky with the Los Angeles Philharmonic under guest conductor Thomas Wilkins. 

Without a baton, the contemporary-music specialist showcases the Chicago Symphony strings in an intimate program ranging from music of the last decade all the way back to Pergolesi. 

In a programme very much rooted in the spirit dance, Britten’s Violin Concerto shines through in Liverpool’s Philharmonic Hall. 

The season-ending performance of Beethoven's Ninth Symphony loses its intended conductor but remains enjoyable, if somewhat under-rehearsed. 

From Carlos Simon’s rhythmic energy to Dvořák’s lush melodies, Honeck and the PSO deliver a night of brilliance, with violinist María Dueñas shining in Saint-Saëns. 

Gustavo Gimeno kicks off the TSO’s new season with new perspectives on the familiar and not-so-familiar

After going viral with Rachmaninov's Third Piano Concerto at the Cliburn two years ago, soloist and conductor tackle his Second with a balance of lyricism, wit and fire.

Stravinsky's Petrushka and Gershwin's Piano Concerto take centre-stage in the BSO's second Prom of the weekend at the start of their European tour. 

With conductor Peter Oundijan, the Indianapolis Symphony showcases two principals in Brahms’ Double Concerto, the program rounded out with Pictures at an Exhibition.

Skride’s approach is not based on power, glamour or virtuosity but is anchored by poetic expressivity and tonal beauty

The Scottish conductor held the podium and the piano bench in an expansive program that included Wagner, Britten, Debussy and the Georgia-based composer Carlos Simon.

Carlos Simon’s Fate Now Conquers is sandwiched by two Beethoven symphonies in this final programme in Andris Nelsons' “Spirit of Beethoven” theme.

A world premiere from an exciting young composer and a finely detailed performance of Schubert outshone this program's main event, a visual installation inspired by Beethoven's Seventh Symphony.

Unaufgeregt, hochmusikalisch, bescheiden: die Weltklasse-Musiker begeistern in der Isarphilharmonie.

La cita en Madrid de la National Symphony Orchestra y Gianandera Noseda trajo ciertos tintes cinematográficos con la obra Carlos Simon y el concierto de Korngold, tras lo cual aún desbordaron energía en la Quinta sinfonía de Shostakovich.

Dans un programme qui associait le jazz de Gershwin à la Cinquième Symphonie de Prokofiev, le chef, l'orchestre et le soliste invité ont brillé par leur capacité à proposer une interprétation singulière des œuvres.