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Wayne Eagling's production for English National Ballet does not show any signs of waning popularity... audiences still want their yearly fix!

English National Ballet tours its outgoing artistic director's revision of Petipa's Raymonda, but it's Glazunov who proves the real winner. 

Petipa's classical choreography and Glazunov's ravishing score fuse with a reimagined narrative and bold choreographic additions to create a new Raymonda for the 21st century.

Despite excellent performances, time needs to be called on Wayne Eagling's Nutcracker. 

Have two Covid-enforced delays left too much time for Akram Khan and his team to tinker with their new creation for English National Ballet?

A mixed bag from the ENB repertoire to greet the summer solstice at the Royal Festival Hall. 

The choreographers selected ranged from the highly experienced (Yuri Possokhov, Sidi Larbi Cherkaoui and Russell Maliphant), and ENB’s Associate Choreographer (Stina Quagebeur) to a relative newcomer, 24-year-old Arielle Smith. 

This annual contest for young dancers at ENB proved to be a stellar year with a collection of excellent performances all-around 

An evening of sparkle and bravura at London's international ballet gala. 

A slick and stylish celebration at the Coliseum of this great company's achievements over 70 years.

The spectacular dancing of Erina Takahashi, Francesco Gabriele Frola and Jeffrey Cirio is the principal reason to catch ENB's revival of this creaky swashbuckler. 

Despite confused storytelling in Wayne Eagling's version of ETA Hoffmann's tale, ENB's Nutcracker has some lovely dancing. 

Akram Khan's bold reimagining of Giselle continues to go from strength to strength. After touring to venues from Moscow to Chicago, it returns to Sadler's Wells. 

She Persisted is the sequel to English National Ballet's She Said, a triple bill featuring work by Annabelle Lopez Ochoa, Stina Quagebeur and Pina Bausch. 

Jurgita Dronina impresses as the heroine in this matinee performance of Sir Kenneth MacMillan's ballet at the Coliseum. 

A performance that overflows with rich detailing in every role

Jurgita Dronina adds a slight Russian touch to Derek Deane's Swan Lake in an evening marked by intense interpretations of the leading roles and gleaming performances from young soloists.

A dutiful revival of Sir Kenneth MacMillan’s Sleeping Beauty from English National Ballet.

Forsythe’s choreography allows ENB's male corps to display their virtuoso skill in its mixed programme at Sadler's Wells.

ENB’s double-bill lurches, rather jarring, across centuries dividing a nineteenth century canonical romantic ballet from the streamlined expressionism of Kenneth MacMillan’s 1965 Song of the Earth. 

Poetry infuses Tamara Rojo’s every step as Giselle in Akram Khan contemporary update of a ballet classic. 

English National Ballet's ambitious triple bill does not disappoint; it shows a company on the rise. 

A star studded programmme of works celebrating the legacy of Les Ballets Russes

A first-class, five-star evening made even more exceptional by the extra gift of Cojocaru’s masterclass

Wayne Eagling’s version for English National Ballet, however, risks confusing those new to ballet – and a few more experienced hands – thanks to muddled storytelling.  

The invention, clarity and freshness of the choreography is breathtaking throughout, made even more so by outstanding performance. This new Giselle is a masterpiece, taking English National Ballet to new heights.

English National Ballet scores another triumph with Akram Khan's darkly reimagined interpretation of the greatest of all Romantic ballets.

Swan Lake in-the-round was conceived in 1997 by Derek Deane, former director of English National Ballet, and has been seen by over half a million people.

International Ballet stars come together on stage in London to honour the late legendary Russian ballet dancer Maya Plisetskaya.

Byron’s Conrad boards his pirate ship as ENB’s Le Corsaire sets sail for a return voyage to the Coliseum. 

There is much to like about the English National Ballet Nutcracker, but it could be so much more.

Death lurks around every corner in Rudolf Nureyev’s Romeo and Juliet, created for English National Ballet (then named London Festival Ballet) back in 1977 and energetically revived here.

Internationally-renowned dancers perform a diverse range of choreography for the Russian Ballet Icons Gala's tenth anniversary.

A triumphant evening featuring the world's top ballet stars in repertoire from The Dying Swan to Diamonds at The London Coliseum.

To sit directly under the splendid chiaroscuro dome of St Paul's Cathedral, with angels, apostles and Christ himself glittering down from mosaiced arches, is to be in the middle of astonishing beauty.

Romeo and Juliet is one of the most popular ballets for both dancer and spectator and the production, created in 1955 by the great British choreographer Frederick Ashton and brought to the London Coliseum this week by the Peter Schaufuss Ballet has certainly plenty to please, especially the presence of its young protagonists.

English National Ballet’s early summer spectacular offers an evening of glamour, glitz and gorgeous gowns all neatly wrapped in the glorious music of the Gershwin brothers. Choreographed and directed by Derek Deane, it combines a medley of songs, music and various dance styles – classical ballet, ballroom and tap dancing --to suit every taste.

The Russian ballerina Galina Ulanova is a true legend in the world of classical ballet. Her dramatic interpretations plumbed deep into the human soul and revealed its full gamut of emotion and poetic beauty.