Live, Video: Find classical music concert, opera, ballet and dance reviews | Sylvia Schwartz

A fine singing cast gives creditable performances in Johann Stauss II's most famous operetta, but Paul Curran's updating of Act 2 to 1930s Berlin takes the fizz out of the Champagne.

Hamburg State Opera launches its new season with a visually overpowering but musically satisfying Così fan tutte.

The Iván Fischer Opera Company makes a triumphant foray into Verdi's oeuvre.

Iván Fischer's minimalist staging of Don Giovanni makes a triumphant return to Mupa, Budapest.

Mark Lamos' staging is a riot of colour and movement; George Souglides gives us a masterclass in costumery; fine Italian singing illuminates this Norwegian première for Rossini's madcap Il turco in Italia.

A classical setting and a varying degree of vocal and dramatic success for Mozart's miraculous score to Le nozze di Figaro.

Handel's Il trionfo del Tempo e del Disinganno at the Berliner Staatsoper with Les Musiciens du  Louvre Grenoble.

After Renée Fleming was forced to withdraw due to a family emergency, soprano Sylvia Schwartz stepped in to perform with the Oxford Philomusica on the way to the Vienna Staatsoper. At just two days’ notice, Korngold, Zandonai and Leoncavallo were traded for Puccini, Verdi and Lehár.

Ermonela Jaho y Elīna Garanča, en este clásico duelo de soprano y mezzo, ofrecen una fascinante lección sobre las diversas maneras de abordar un papel. 

Konzertant angekündigt und dreiviertelszenisch umgesetzt begeistert Mozarts Oper das Publikum.

Il suffit parfois de quelques voix bien choisies pour qu'une œuvre prenne son envol.

La fascinante producción de los Hermann sigue viva 30 años después de su estreno

Jürgen Flimms Produktion unterstreicht die frech-fröhlich-Mozartschen Züge der Figuren der spielfreudigen Besetzung.

Un Requiem allemand de Brahms parfaitement abouti, d’une réalisation exemplaire, d’une beauté chorale à couper le souffle et d’une très riche émotion contenue qui font honneur au Rundfunkchor Berlin.

El primer concierto de la Carta blanca dedicada a Arvo Pärt trae a Madrid dos obras bien conocidas del compositor estonio junto con dos de sus creaciones más recientes.

El Teatro Real recupera la brillante partitura de Humperdinck en una sólida función que no oculta la oscuridad de esta ópera infantil para adultos