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Dutch National Ballet's triple bill, Monument, is a statement on Dutch artistry and ideology. 

Dutch National Ballet give committed performances in Helen Pickett’s latest literary adaptation in a full-length Lady Macbeth.

Dancing Dutch for Dutch National Ballet comprises four different works, not all by Dutch choreographers, which show off the depth and breadth of a company in great shape.

Triple bills featuring works by William Forsythe are fast becoming de rigeur. Dutch National Ballet have taken up the challenge and appear to revel in it.

Salvatore Viganò's choreography for Beethoven's 1801 ballet Prometheus has not survived, but a trio of creators put their own stamp on the score in Amsterdam.

Dutch National Ballet presents six Hans van Manen creations spanning 40 years of choreography. 

The world premiere of Annabelle Lopez Ochoa's ballet about the legendary Mexican painter Frida Kahlo is unsurprisingly colourful and highly dramatic by design. 

Dutch National Ballet continues its series honouring the great choreographer. 

Dramatic narrative ballets seem to gain in popularity with the Dutch National Ballet, and although Onegin was no tearjerker star ballerina Anna Tsygankova created some beautiful moments.

Wheeldon’s vocabulary, Ratmansky’s Lyricism, Pastor’s roaring engine and Dawson’s mesmerising planetary roaming little prince Edo Wijnen, make for a happy afternoon. 

Dutch National Ballet proves its innovative tradition of modern ballet with playful, serious, subtle and powerful pieces.

Coppelia's convincing cartoon world with some great dancing by soloists De Jongh and Camargo and comedic genius by Yanowsky.

Dutch summer Romance? Yes, that's a thing. With some virtuoso dancing thrown in for good measure.

Zwei Premieren von Marcos Morau und Yoann & Marie Bourgeois sowie Crytal Pites Paradestück Solo Echo sorgen für einen elektrisierenden Abend.

Marco Goeckes erstes abendfüllende Werk für das NDT 1 ist ein leidenschaftlicher Tanzabend.

Ein ergreifender dreiteiliger Tanzabend über Trauer, Angst und Mitmenschlichkeit.

Das Niederländische Nationalballett zeigt zum Saisonauftakt einen aktuellen und kritischen Ballettabend.

Ted Brandsens Choreographie geht dank der Entmystifizierung dieser tragischen Galionsfigur unter die Haut.

Die fesselnden Choreographien von Toer van Schayk am Dutch National Ballet ließen Raum und Zeit vergessen.

Der Abend verdeutlicht, was Hans van Manen auszeichnet: ungeheure Musikalität und Konzentration auf das Wesentliche.