Leichtfüßige Herrlichkeit: NDT 2 mit Goecke und Eckman

The Big Crying

Brocken Spectre

Cacti

By Michael Klier, 04 December 2022

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“die kurzen Begegnungen der Tänzer umschreiben Hunger nach Nähe... Angst und verzweifelte Einsamkeit”

Reviewed at Stadsschouwburg, Haarlem on 2 December 2022

The Big Crying (Marco Goecke)

Brocken Spectre (Andrew Skeels)

Cacti (Alexander Ekman)

Nederlands Dans Theater | NDT 2

Dutch National Ballet Orchestra

Avant-Garde: an eclectic triple bill in Prague

Elsa Giovanna Simonetti, 15th March

A tremendous triple bill comprising Jiří Kylián's 27’52” and two new works by Robert Bondara and Marco Goecke. The programme unfolds as a meditation on transience, instability and the unpredictability of human life.

****1

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Vikki Jane Vile, 30th November

For one night only, audiences in Frankfurt were treated to some world class ballet on the expansive stage of the Jahrhunderthalle.

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Ballet Nights makes an impressive and unforgettable Scottish debut

Kathy Elgin, 4th July

Ballet Nights is more than an evening of party pieces: it showcases emerging talent alongside older favourites and, in the case of this first Scottish outing, has an eye to local tradition.

****1

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Deborah Weiss, 23rd April

In a triple bill of contrasting choreography, Les Ballets de Monte-Carlo tackle everything with aplomb.

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In a fascinating and challenging triple bill, Czech National Ballet deliver first rate performances.

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Michael Klier

Michael Klier macht schon seit mehr als einem halben Jahrhundert Musik. Als gebürtiger Berliner kam er 1993 nach Amsterdam. Er war Mitglied unterschiedlichster internationaler Ensembles und Orchester. Heute betreibt er eine florierende Unterrichts- und Coachingpraxis. Als Teamcoach bietet er dort Schulungen an, in denen die Kursteilnehmer miteinander komponieren, um so ihre ungenutzten kreativen Potentiale zu entdecken und besser miteinander zu kommunizieren. Denn: Musiker sind die Architekten des Himmels.

Leichtfüßige Herrlichkeit: Nederlands Dans Theater 2 mit Goecke und Eckman