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Barrie Kosky's new production of Philip Glass' Akhnaten for Komische Oper at the Schillertheater removes any egyptological references. 

The Australian director's 2019 production of Handel's satirical comedy-thriller arrives in Amsterdam, with a cast led by the fabulous Stéphanie d'Oustrac. 

Two concerts at Milton Court intersperse The Four Seasons with concertos from L'estro armonico and sacred cantatas featuring countertenor John Holiday.

This musical setting of a poem by Frances Ellen Watkins Harper is the first of four digital commissions set to premiere this spring on the Opera Philadelphia Channel.

Matthew Aucoin’s Eurydice enjoys its world premiere at LA Opera. 

Hip-h'opera world première at Philadelphia's O17 Festival.

Handel’s Xerxes (1738) was part of this year’s “home and homeland” season at Glimmerglass Festival.

Today, Vivaldi’s operas remain rarities. The American première of Cato in Utica at the Glimmerglass Festival (located an hour south of Utica, NY) attempted to elevate this little explored corner of Baroque repertoire.

Where is the line? Where does the stage end and the audience begin? This is what Australian director Barrie Kosky probes in his production pairing Purcell's Dido and Aeneas with Bartók's Bluebeard's Castle.

Zwei Primadonnen und drei Countertenöre brachten superben barocken Operngesang von Weltrang ins Münchner Prinzregententheater.

Der Regisseur und Choreograph Bill T Jones realisiert mit We Shall Not Be Moved eine körperbetonte Produktion, die der Operngattung frische Blut einflößt.