Find classical music concert, opera, ballet and dance reviews | Krisztián Cser

The acting was patchy and the singing ranged from serviceable to laudable in this dazzling new production at the Budapest Spring Festival.

In a sensational Hungarian double bill of taut psychological drama at Müpa, Péter Eötvös' Senza sangue proves a thrilling partner to Bartok’s Bluebeard’s Castle.

Show-stealing bass singing from Krisztián Cser and an immensely powerful Act 2 make a persuasive case for Verdi's neglected predecessor to Rigoletto.

Iván Fischer and the Budapest Festival Orchestra gave a lesson in ethnomusicology as part of the their all-Bartók programme, which culminated in a towering performance of Bluebeard's Castle.

With a convoluted production and uneven cast, Tamás Pál in the pit and Klára Kolonits as Erzsébet Szilágyi prove to be the highlights of the performance of this Erkel classic.

The Hungarian State Opera offered up a belated Hungarian première by one of its native sons, Péter Eötvös – his 2007 opera Love and Other Demons.

Hungarian State Opera mount a successful première of Thomas Adès's take on Shakespeare, with the show stolen by Laure Meloy's Ariel.

Iván Fischer's staged concert had its flaws, but some original ideas and a strong cast gave an impressive performance.

A neglected work in Hungary, Idomeneo receives an intense performance under the baton of György Vashegyi.

Known for her powerful interpretations of the blockbuster Italian mezzo roles, the great Hungarian diva Ildikó Komlósi dominates the new production of Aida in Budapest.

Any director taking on Weber’s Der Freischütz faces big challenges. Sándor Zsóter’s production for the Hungarian State Opera takes risks, with very mixed results.

Retour sur la performance mémorable du Château de Barbe-Bleue à l'occasion du Budapest Festival, une formule désormais annuelle qui offre durant quelques jours au Budapest Festival Orchestra le monopole du Concertgebouw de Bruges.