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Engelbert Humperdinck’s Hänsel und Gretel has appeal for all ages, but Robert Carsen’s production is a different take on the beloved fairy tale.

A twist on the usual Enlightenment path, this is an admirable production, excellently executed.

That both the lead and a second key role were ill and couldn’t sing did not bode well, yet this performance of Verdi’s Un Ballo in Maschera shook up the house nonetheless.

Exuberant celebration of La Cenerentola's 200th anniversary by Cecila Bartoli and her colleagues at the Concertgebouw.

On the 200th anniversary of La cenerentola's première, Bartoli & co tour Europe and bring Rossini's sparkle to the Dortmund Konzerthaus.

Director Tatjana Gürbaca’s production of Aida in Zurich strictly underscores the psyche and emotional parrying of the principals.

Die Zauberflöte may well tell us something about the Human Condition, but its staging in Zurich serves more to distract from the music and the messages than it does to support them.

Precise Rachmaninov and heartfelt Beethoven in a fine Philharmonia Zürich programme conducted by Fabio Luisi. 

We spent last night in Zurich, where we had the chance to see the Zurich Opernhaus production of Offenbach’s Tales of Hoffmann. It’s the first time I’ve been to the opera house here and the first time I’ve seen Offenbach on stage, so interesting on both counts. The opera house is “small but perfectly formed”, as the cliché goes.

La Cenerentola prend ses quartiers à Monaco pour fêter ses 200 ans d'existence. Une villégiature qui est passée à côté du spectacle événement.