Live, Video: Find classical music concert, opera, ballet and dance reviews | Cello Sonata no. 2 in G minor, Op.5 no.2

For a group of instrumentalists that seldom play together, the level of rhythmic, timbral and, most important, conceptual coordination was amazing.

A (nearly) complete set of Beethoven’s works for cello and piano from the French friends in London. 

Three musicians at the top of their game – Martha Argerich, Janine Jansen and Misha Maisky – collaborated in a celebration of the joy of music-making that teased, astonished and ultimately stirred the emotions.

Nicolas Altstaedt and Alexander Lonquich give Beethoven’s cello sonatas a chance to breathe in a thoughtful and accomplished performance of all five at Wigmore Hall.

Despite the stormy turbulence in much of Beethoven's writing, Jean-Guihen Queyras and Alexander Melnikov allowed the sunlight to flood in, illuminating these spirited scores. 

The chances to hear two recitals on consecutive nights, featuring exceptional artists of international renown in the friendly environment and outstanding acoustics of the City Recital Hall are akin to winning a (musical) lottery in Sydney.

Martha Argerich, Janine Jansen und Mischa Maisky wussten mit einem feurigen Konzert zu begeistern.

Nicolas Altstaedt begeisterte mit subtilem Spiel und leichter Artikulation. So richtig wollte dieses jedoch nicht zum modernen Konzertflügel passen, selbst bei Alexander Lonquichs umsichtiger Begleitung.

Faire entendre l’une ou l’autre des 5 sonates pour piano et violoncelle de Beethoven est monnaie courante ; les enchaîner est une toute autre histoire. Conception futuriste, résolument ancrée dans le nouveau siècle.

Martha Argerich und Mischa Maisky trafen sich im Herkulessaal zu einem kammermusikalischen Gipfeltreffen, um ihre nunmehr 40-jährige musikalische Freundschaft zu feiern.