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With Claus Guth directing and Simone Young on the podium, the Staatsoper Unter den Linden's new production of Mussorgsky's Khovanshchina proves that the past isn't really past. 

In Khovanshchina, even more so than in Boris Godunov, the chorus is the chief protagonist and the La Scala chorus was truly astonishing.

Welsh National Opera’s new season commemorating the centenary of the 1917 Revolution with three Russian-themed works opens with both a bang and a whimper with this trenchant revival.

Semyon Bychkov turned in a magisterial account of Mussorgsky's rugged score, aided and abetted by some strong vocal performances.

Christof Loy’s minimalist staging for Khovanshchina at Dutch National Opera has the advantage of clarifying a reputedly fragmented plot. 

Khovanshchina offers ample opportunity for massive, haunting and grandiose vocal display,  beautifully realized by a remarkable cast led by Ain Anger, Elena Maximova and Ferruccio Furlanetto.

Calixto Bieito inszeniert Mussorgskys unvollendete Oper als tödliches Machtgerangel verschiedener Gruppen. Bei der Gestaltung des Schlusses leistet er sich Freiheiten, die grenzwertig sind.

Belle reprise de La Khovantchina à l'Opéra Bastille, où triomphent les forces de la maison, mais aussi Anita Rachvelishvili !

Chowanschtschina ist ein Gesamtkunstwerk, das an der Wiener Staatsoper nicht mit der Regie, doch mit musikalischen Leistungen besticht.