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Carl Orff's bawdy choral work shares a program with the sweet and sincere Credo, a rediscovered work by the American composer and arranger Margaret Bonds.

A good audience turnout for the opening of Noseda's third NSO season justifies an all-20th-century program centering on Carl Orff's popular and direct setting of medieval poems about real life and fate, but also presenting gentler works of religious reflection.

A fresh and compelling performance of Carl Orff’s classic. Aaron Copland’s rarely-performed Statements filled out the orchestra’s last concert performance at the Blossom Music Festival for 2018.

Torrential downpours and the croaking of consumptive frogs fail to dampen spirits at Wolf Trap's National Symphony Orchestra concert featuring pianist Seong-Jin Cho, JoAnn Falletta and a massive community chorus.

A crowd-pleaser is joined by a Szymanowski rarity to close the TSO's season. 

Kent Nagano and OSM wowed with cerebral approach to Carmina Burana.

Canadian conductor Jacques Lacombe led the Boston Symphony Orchestra in a Debussy, Ravel, Orff program.

Webre's ends his tenure at the Washingotn Ballet not with a whimper but a bang. 

Frisch gebackener Ritter Măcelaru legt mit Di Castri, Lutosławski und Orff zündende Lunten eines in sich stimmigen Geburtstagsfeuerwerks.

Zum Jahresende boten die Musiker mit Orffs Carmina burana und Beethovens Neunter gleich zwei Reißer im Repertroire.