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A pair of piano concertos envelop a concert aria as Yunchan Lim opens his Mozart project with poise and nerve in Seoul. 

Melbourne-born soprano Sioghan Stagg returns for a one night stand with Kristian Bezuidenhout and the Freiburg Baroque Orchestra as part of their Australian tour.

It’s a rare treat to experience a performance given by two musicians at the height of their craft, especially when the performers in question are Cecilia Bartoli and Daniel Barenboim.

Finghin Collins and Rosanne van Sandwijk shine as soloists while the Orchestra of the 18th Century was as authoritative as ever under the baton of Kenneth Montgomery. 

The buzz in the Concertgebouw was palpable for many minutes before the entrance of Cecilia Bartoli. It was one of those occasions when even an audience member who knew nothing of the artists could hardly have failed to anticipate something special. She did not disappoint.

From Studio to Stage was the name of this year’s summer performance by young artists on the Jette Parker programme at the Royal Opera House. The programme includes not only singers but also conductors/répétiteurs, a pianist, a lighting designer and stage director Pedro Ribeiro, who surely wins the prize for best headshot.

Daniel Barenboim und Cecilia Bartoli widmen dem Gedenken an Jürgen Flimm ein berührendes Konzert.

Du grand répertoire interprété par Adam Laloum et Anne Queffélec, mais pas que : La Roque d'Anthéron a proposé une remarquable ouverture à la musique d'aujourd'hui, notamment à celle de Gérard Pesson.

Nach einer wunderbaren ersten Mozart-Hälfte mit Cecilia Bartoli und Martha Argerich kam das Konzert zu einem unerwarteten Ende.

La travesía de anoche nos llevó por las más variadas tierras de la imaginación musical: desde la Italia barroca y clásica de Vivaldi, Handel y Mozart hasta la Finlandia de Sibelius y del director Rouvali, pasando por la Rusia de Julia Lezhneva.