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Sheku Kanneh-Mason makes his local debut in Shostakovich's First Cello Concerto, followed by a fantasia on Arabella conceived by Music Director Manfred Honeck. 

Hungarian State Opera revives their mostly period production of Strauss' Arabella with star turns by sopranos Polina Pasztircsák and Laura Topolánszky.

Using the Nazi regime as his Leitmotif, Canadian director Robert Carsen brings Richard Strauss’ Arabella to the Zurich stage. 

The current stage-setting of Arabella at the Wiener Staatsoper proves that “all that’s Glittenberg” is not gold.

The fortunate audience of Barcelona's Liceu has much to enjoy a wonderfully performance of Arabella conceived as an intimate drama of human psychology.

A strong cast stars in Christof Loy's unsettling rethinking of Richard Strauss’ Arabella at the Dutch National Opera.

Michael Volle stars as a complex Mandryka in the Met's birthday revival of Richard Strauss's Arabella.

While recordings of Arabella abound, operagoers could conceivably go years without actually seeing the piece performed. Compared to the frequency with which companies present Der Rosenkavalier, Ariadne auf Naxos, and Salome, Richard Strauss’s Arabella is an infrequently seen gem.

Die Strauss-Fans jubeln, und das ist gut so: Christian Thielemann und Michael Volle sorgen für einen fast schon zu perfekten Strauss-Abend.

Arabella triunfa en el Teatro Real bajo la dirección de Christof Loy y David Afkham.

La mise en scène de Robert Carsen reste trop littérale et la direction de Markus Poschner trop anguleuse pour la comédie lyrique de Strauss.

Le Théâtre des Champs-Elysées propose une version concert d'Arabella, de Richard Strauss. Une soirée portée par une distribution de rêve dans laquelle se distingue Anja Harteros.

Nach dem umstrittenen Pelléas feierte Montagabend mit Arabella eine andere mit Spannung erwartete Produktion Premiere - konnte durchwegs überzeugen.