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American Ballet Theatre's Onegin is deliciously dramatic and a stunning visual feast. 

Natalia Osipova, a seasoned Tatiana, is joined by Lukas B Brændsrød, making his debut as Onegin in the summer return of John Cranko's take on Pushkin's classic verse novel. 

The welcome revival of a borrowed jewel in The Royal Ballet's treasure chest of story ballets.   

Two very promising debuts in the lead roles and good performances in the supporting roles, made this an enjoyable Onegin.

National Ballet of Canada's connections to John Cranko's Onegin run deep and this revival featured beloved company farewells and exciting next generation debuts. 

Powerful performances by the four leading dancers brought dramatic weight to this tremendous revival of John Cranko's Onegin by Czech National Ballet.

The first Fracci Gala at the Teatro alla Scala celebrates the memory and the stature of a child of the house, who not always considered so in life. 

John Cranko's balletic take on Pushkin approaches its 100th performance by The Royal Ballet, opening this run with a magnificent Tatiana from the Russian star. 

Dramatic narrative ballets seem to gain in popularity with the Dutch National Ballet, and although Onegin was no tearjerker star ballerina Anna Tsygankova created some beautiful moments.

Lantratov played Onegin with considerable nuance and intensity.

The San Francisco Ballet's 2016 season culminates in a dazzling, masterful rendition of John Cranko's Onegin, bringing passion, fury and drama to the War Memorial Opera House stage.

A neatly danced Onegin in Berlin, but one that lacked an emotional core. 

With such a fine couple as Marianela Núñez and Thiago Soares leading the drama, John Cranko's Onegin touches the heart at The Royal Ballet. 

The fourth Étoile Gala in Tokyo showed many faces of Paris Opera Ballet étoiles as well as stars from other companies, and with its intimate atmosphere and hand-made feeling, won the hearts of Japanese audience. 

The rich history of performing Onegin in National Ballet of Canada has persevered. Four strong leads, McGee Maddox, Xiao Nan Yu, Jillian Vanstone and Evan McKie (guest from Stuttgart Ballet) leveraged this production dramatically along with the fine ensemble.

John Cranko's Onegin, performed by Paris Opera Ballet, is a sensational partnership given by Isabelle Ciaravola, retiring this month, and Evan McKie, guesting from Stuttgart Ballet.  

The chill outside was certainly a reminder of Siberian weather, but the anticipation of seeing one of the 20th century’s most popular and beloved dramatic ballets (and set in a milder Russia!) soon had the fingers and toes circulating once more.

There’s no denying that the work of Boris Eifman is super-dramatic, erotic, engrossing, beautifully lit and visually commanding, and that he has a troupe of magnificent dancers. But, whereas his first London production Anna Karenina proved near faithful to the Tolstoy novel, his second ballet Onegin that was seen this week in London, took great liberties with its text.

Le ballet de John Cranko sera la dernière danse de l’étoile Mathieu Ganio avant ses adieux à la scène, bientôt suivis de ceux de Ludmila Pagliero... ce qui rend la production d'autant plus bouleversante.

Cet Onéguine dansé restitue avant tout deux univers russes révolus, l'un bucolique et l'autre impérial, composant ainsi un poème chorégraphique d'une infinie poésie.