Plagues, passions and lamentation at the Ravenna Festival

Par Thomas May, 08 juillet 2020

Chargement en cours, veuillez patienter...

Voir le listing complet

Critique faite à Rocca Brancaleone, Ravenna, le 7 juillet 2020

Parmi les œuvres au programme:

Bach, Other

Œuvres de Bach

Zelenka, Other

Weckmann, Other

Rosenmüller, Other

Buxtehude, Other

Fontana, Other

Graciela Susana Gibelli, Soprano

Fulvio Bettini, Baryton

Alessandro Tampieri, Violon

Luca Pianca, Luth

Lorenzo Ghielmi, Orgue

Rodney Prada, Viole

Cristiano Contadin, Viole

Christoph Urbanetz, Viole

Il Suonar Parlante

Vittorio Ghielmi, Viole, Direction

Apollo e Dafne at the Handel Festival in Halle

Sandra Bowdler, 4th June

A performance of Handel's short masterpiece Apollo e Dafne at the Halle Handel Festival was somewhat disappointing but Fulvio Bettini impressed in the bass role.

***11

Apollo e Dafne at the Handel Festival in Halle

Sandra Bowdler, 4th June

A performance of Handel's short masterpiece Apollo e Dafne at the Halle Handel Festival was somewhat disappointing but Fulvio Bettini impressed in the bass role.

***11

French Baroque meets modern dance at Drottningholm

Laura Servidei, 31st July

Saburo Teshigawara sets Rameau’s opéra-ballet Pigmalion as a compelling dance performance

***11

L'excellence d'I Gemelli célèbre Le Retour d’Ulysse dans sa patrie

Philippe Ramin, 23rd October

L'opéra de Monteverdi bénéficie d'une distribution superlative et d'un ensemble instrumental stupéfiant. Un concert qui fera date.

*****

L’Orfeo de Gonzalez Toro : un rêve éveillé

Philippe Ramin, 28th May

L'Orfeo de Monteverdi fait l'objet d'un travail d’équipe millimétré entre Emiliano Gonzalez Toro, Mathilde Etienne et Thomas Dunford, pour un résultat merveilleux.

*****

Das Leichentuch gelüftet: La sepoltura di Cristo in Herne

Jens Klier, 16th November

Beim Festival unter dem Motto „Reduse – Reuse – Recycle“ brachte Arsenale Sonoro das Bologneser Werk andachts- und mit Instrumentalwerken Corellis, Torellis und Vitalis stimmungsvoll zur neuzeitlichen Erstaufführung.

****1

Plus de critiques...

Thomas May

Thomas May is a writer and translator based in Seattle. His books include Decoding Wagner and The John Adams Reader, and he blogs about the arts at memeteria.com. He has written for The Washington Post, Gramophone, Listen, Symphony magazine, OPERA America, crosscut.com, and many other publications.

Plagues and passions: lamentation back before Bach at the Ravenna Festival