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Ludovic Morlot returns to lead Seattle Symphony’s season-closing showcase

Demarre McGill, Ludovic Morlot and the Seattle Symphony
© James Holt
Ludovic Morlot conducts the Seattle Symphony
© James Holt
Par Thomas May, 21 juin 2025
Chargement en cours, veuillez patienter...
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Critique faite à Benaroya Hall, S Mark Taper Auditorium, Seattle, le 19 juin 2025
Programme
Ravel, Rapsodie espagnole
Schuller, Symphony for Brass and Percussion, Op.16
Ravel, Sites auriculaires
Loggins-Hull, Flute Concerto
Fauré, Fantaisie
Ravel, Bolero
Artistes
Demarre McGill, Flûte
Seattle Symphony
Ludovic Morlot, Direction
Voir plus de critiques Concert
Nicholas McGegan brings delicacy and elegance to Mendelssohn
Erica Miner, 18th April
The Seattle Symphony offers an enchanting evening immersed in the joy and brilliance of both the young and the mature genius of Felix Mendelssohn.
****1
A rite of spring turned inward: Strauss’ Daphne at Seattle Opera
Thomas May, 16th January

Presented without staging, Seattle Opera’s concert Daphne places Strauss’ extreme vocal demands and saturated orchestral writing in sharp relief, offering a high-risk encounter with a rarely heard late opera.

****1
Ioffe conducts the Seattle Symphony in varied faces of Romanticism
Thomas May, 8th January
Barber and Bernstein shine in this program exploring sharply contrasting faces of 20th-century Romanticism under guest conductor Alevtina Ioffe.
****1
Ivars Taurins leads the Seattle Symphony in Baroque feast
Thomas May, 16th October

A lean Seattle Symphony under guest conductor Ivars Taurins brings stylish energy to Baroque orchestral theater by Telemann, Hasse and Handel.

****1
Peter Oundjian bridges the centuries in Seattle
Erica Miner, 15th March
The Seattle Symphony co-commissions a new work, Jan Lisiecki plays Mozart with religious fervor, and Stravinsky's Sacre still creates an uproar.
***11
Mozart meets Vaudeville in Seattle's silent movie Magic Flute
Erica Miner, 22nd February
Eye-popping, hand-drawn animation melds with Mozart's fantastical world and the silent film era to create a colorful and energetic new-to-Seattle production.  
***11
Plus de critiques...
Lire critiques de
Allison Loggins-HullBoleroDemarre McGillGabriel FauréGunther SchullerLudovic MorlotMaurice RavelRapsodie espagnoleSeattle SymphonySites auriculaires
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Thomas May
Thomas May
Thomas May is a writer and translator based in Seattle. His books include Decoding Wagner and The John Adams Reader, and he blogs about the arts at memeteria.com. He has written for The Washington Post, Gramophone, Listen, Symphony magazine, OPERA America, crosscut.com, and many other publications.