A triumphant Romeo and Juliet from Philadelphia Ballet

Thays Golz and Zecheng Liang of Philadelphia Ballet in Romeo and Juliet by Juliano Nunes

Jorge Garcia Alonso of Philadelphia Ballet in Romeo and Juliet by Juliano Nunes

Thays Golz of Philadelphia Ballet in Romeo and Juliet by Juliano Nunes

Thays Golz and Zecheng Liang with Philadelphia Ballet in Romeo and Juliet by Juliano Nunes

Par Leigh Donlan, 02 mai 2026

Chargement en cours, veuillez patienter...

Voir le listing complet

“puffed chests and twisted limbs, sharply tilted heads, undulating backs and stylized posturing”

Critique faite à Academy of Music, Philadelphia, le 30 avril 2026

Roméo et Juliette (Juliano Nuñes)

Philadelphia Ballet

Beatrice Jona Affron, Direction

Youssef Hotait, Décors, Costumes

Brad Fields, Lumières

Thays Golz, Danse

Zecheng Liang, Danse

ABT's Theme and Variations delivers star quality performances

Ivy Lin, 30th October

American Ballet Theatre presented a well balanced program of Nuñes, Ratmansky and Balanchine which produced some revelatory performances.

*****

Easter delights in Dutch National Ballet's Spring Special

Graham Watts, 5th April

A complete roster of principal dancers appear in a gala full of the joys of spring.

****1

Von der Schwierigkeit des Seins: Rastlos am Staatsballett Hannover

Rainer Zerbst, 10th November

Der neue Ballettabend in Hannover umkreist in drei sehr unterschiedlichen Facetten das menschliche Leben.

****1

Glistening dew: Alina Cojocaru at Sadler’s Wells

Graham Watts, 20th February

An enchanting programme of music, film and dance in material moved by the spirit of a great performer.

****1

Sae Eun Park consacrée étoile à l’issue de Roméo et Juliette

Laurine Mortha, 10th June

Pour la première de l’indémodable chef-d’œuvre de Rudolf Noureev, la soirée fut pleine d’émotion à Bastille, marquée par le couronnement de Sae Eun Park dans le rôle de Juliette.

*****

Les surprises du chef ! Salonen remplace Sokhiev à la Philharmonie

Alain Lompech, 23rd September

Appelé à la rescousse pour diriger l'Orchestre de Paris, le chef finlandais n'a pas souhaité diriger le Troisième de « Rachma » ; Lukas Geniušas a donc choisi le Concerto en sol de Ravel. Bonne pioche !

*****

Plus de critiques...

Leigh Donlan

Former ballerina Leigh Donlan trained in Russian technique and a variety of folk and modern dance techniques, was Children’s Ballet Mistress at the Washington School of Ballet in Washington, D.C., Director of the Athenaeum School of Ballet in Alexandria, Virginia, and studied English at the University of Oregon and Public Relations at Georgetown University. She has been writing for Ballet to the People since 2014, and is currently on the faculty at Princeton Ballet School.