À propos de nos auteurs

Lorenzo Fiorito holds degrees in Humanities and in Languages and Literatures, and a Phd in Languages for Special Purposes. He is a lecturer in historical musicological subjects at the Pegaso University, Naples, the Universitas Mercatorum, Rome and MEDEA Higher Education Institution, Malta, currently researching musicology as a special language. He is a member of the National Music Critics Association and of the Italian Society of Musicology. He edited a series of volumes in Musicology and History of Music for the publisher Diana Edizioni, mainly concerning the Neapolitan School of Music of the 18th century, and is the founder and artistic director of the “Francesco Durante Festival” in Frattamaggiore.

Maggie Foyer danced with PACT, the State Ballet Company in Johannesburg and Kinetika Contemporary Dance in South Africa. After graduating from the R.A.D., she taught at the Central School of Ballet in London and the Royal Swedish Ballet School. She has MA degrees in Education and Literature and is an associate lecturer in Humanities at the Open University. She has written for Dance Europe, The Dancing Times, Dance Magazine, Danza International, various dance websites and has contributed programme notes for companies including The Royal Ballet and Dutch National Ballet. She is a member of the Critics’ Circle and the National Dance Awards Committee.

Marat Ingeldeev is a London-based music journalist, critic, researcher & podcaster. For more information on Marat and his projects, click here.

Mark has worked in arts journalism for four decades, both as a writer and as a French-English translator. Nowadays he focuses his energies on reviewing opera and music. Mark also writes for Opera magazine and for Musical America as a correspondent for Europe and the UK.

Mark Vicente hails from Montreal, Canada and has lived in Amsterdam for the last 10 years. He has over 30 years of experience in the arts and entertainment industry. Mark graduated from Canada’s National Ballet School and was in the corps de ballet with The National Ballet of Canada. He also performed in the Toronto production of Disney’s The Lion King and spent two seasons at The Stratford Festival of Canada. Presently, Mark is completing his MA in Comparative Cultural Analysis at the University of Amsterdam. His Substack, Lives After Dark, focuses on creative fiction and reflective essays on Amsterdam’s nightlife scene.

Mengguang Huang is a Hamburg-based project manager in the construction industry. With a strong passion for classical music, he was introduced to the world of early music during his time in the UK, where he developed a particular fondness for renaissance and Baroque vocal music. Driven by his love for this genre, he now makes it a priority to attend major Baroque opera productions and concerts across Western Europe whenever possible, continuing to deepen his appreciation for this rich musical tradition. 

Michelle Assay is a pianist, Music and Shakespeare scholar, critic, and broadcaster. She is the principal investigator of the Marie Curie/UKRI project, “Women and Western Art Music in Iran” at King’s College London and University of Toronto in partnership with UNESCO’s Intangible Cultural Heritage centre in France. She is a regular contributor to Gramophone and has been a music critic and cultural correspondent in Ukraine, Canada, France and UK. Born in Tehran and graduated as a pianist from Kyiv and Paris Conservatoires, she holds a PhD from the Sorbonne and University of Sheffield. She is the author of several prize-winning publications and the chair and founder of the Shakespeare and Music Study Group and the Music and Mental Health Group. She is the co-author of a major forthcoming volume on Polish- born composer, Mieczysław Weinberg, and regularly appears in concert.