| Romeo Castellucci | Mise en scène, Décors, Costumes, Lumières |
| Piersandra Di Matteo | Dramaturgie |
| Festival d'Aix-en-Provence | |
| Esa-Pekka Salonen | Direction |
| Golda Schultz | Soprano |
| Marianne Crebassa | Mezzo-soprano |
| Orchestre de Paris | |
| Chœur de l'Orchestre de Paris |
Resurrection forms a diptych with Requiem (2019) – a striking meditation on the exhaustion and disappearance of all things – and takes up in a spectacular way the question of the aftermath: the question of a hypothetical renewal. The Stadium de Vitrolles designed by Rudy Ricciotti has been preserved in a state of beauty ravaged by twenty-five years of abandonment and clandestine occupations. Inside this iconic building Romeo Castellucci tackles the enigma of a mysterious rebirth. Resurrection is undoubtedly the most popular of all Mahler's symphonies. The composer stages a gradual victory over his doubts and asserts his creative vocation and his newfound faith in the cosmos. The audience is immediately struck by the opening chaos orchestrating a magnificent funeral. The sublime final chorus enraptures listeners as it celebrates the Last Judgement and the divine love that is spread everywhere. Esa-Pekka Salonen returns to the Orchestre de Paris and its Chorus and dreams with us of rising out of hard times. Golda Schultz and Marianne Crebassa make their Festival debut.