OSNJP en dos conciertos de alto voltaje

Par Gonzalo Tello, 03 juillet 2015

Chargement en cours, veuillez patienter...

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“la orquesta se enfrentó a un gran reto al acompañar a dos importantes figuras en dos conciertos”

Critique faite à Gran Teatro Nacional, Lima, le 28 juin 2015

Ravel, Le Tombeau de Couperin

Prokofiev, Symphonie no. 1 en ré majeur «Classique», Op.25

Bruch, Concerto pour violon no. 1 en sol mineur, Op.26

Ravel, Tzigane

Mozart, Adagio en mi majeur pour Violon, K261

Milhaud, Le Bœuf sur le toit (The Ox on the Roof), Op.58

Vivaldi, Concerto pour 4 violons en si bémol majeur, RV 166

Orquesta Sinfónica Nacional Juvenil de Perú

Sarah Chang, Violon

Philip Setzer, Violon

Pablo Sabat, Direction

Evgeny Kissin and the Emerson Quartet at Carnegie Hall

Edward Sava-Segal, 27th April

There was a palpable sense of communion during a performance bringing these great musicians together at Carnegie Hall for the first time.

****1

"I'm in love with Vienna": Renée Fleming and friends at Carnegie Hall

David Allen, 4th May

For the last concert of her Perspectives series at Carnegie Hall, Renée Fleming assembled one of the least coherent concept programmes imaginable. Billed as “Vienna: Window to Modernity”, it was never clear what was specifically Viennese about the music on show, nor what was particularly modern, nor what windows had to do with anything.

***11

Chamber Music Society of Lincoln Center: Dvořák and Brahms

Joseph Pfender, 13th January

The talent was top-shelf at Alice Tully Hall on Sunday evening, kicking off 2013 for the Chamber Music Society of Lincoln Center with a cello sonata by Brahms, and trios by Dvořák and Haydn. Emerson String Quartet violinist Philip Setzer joined co-artistic directors of the Society David Finckel on (cello) and Wu Han (piano).

***11

À Lyon, le triomphe de Thomas Guggeis aux mains d’argent

Tristan Labouret, 30th April

Le chef allemand délivre une véritable leçon de direction d'orchestre dans la Première Symphonie de Prokofiev et dans Petrouchka de Stravinsky, éclipsant les Variations rococo peu inspirées de Jeremias Fliedl.

****1

Frank Peter Zimmermann et le National ont Beethoven dans la peau

Pierre Michel, 30th April

Dans le Concerto pour violon de Beethoven, le violoniste allemand et la phalange parisienne ont montré leur belle complicité, avant une Première Symphonie de Brahms décevante sous la direction de Cristian Măcelaru.

***11

L’elfe Fujita et le paladin van Zweden conquièrent la Philharmonie

Pierre Michel, 29th April

Le pianiste japonais a livré une interprétation joueuse et virevoltante du Concerto pour piano n° 21 de Mozart, avant que le Philhar' ne s'attaque à une Septième Symphonie de Bruckner conquérante.

****1

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Gonzalo Tello

Gonzalo Tello is the classical music critic of El Comercio Newspaper. Has been writing about opera, classical music and other performing arts since 2004 from Lima and New York City. He founded "Ópera Perú" in 2007 to promote musical arts in Peru and the region, since the lack of interest in national media. Interviews, reviews, new media and trends in classical music are the main focus in this project. Tello worked as collaborator with El Comercio Newspaper since 2004, "ProÓpera" of Mexico, and "Mundo Clásico" of Spain since 2009, "Cosas" y "¡Hola! Perú" magazines since 2010. He founded the Wagner Society of Lima in 2010. He was producer and host of the weekly show "Ventana Cooltural" on MulaTV until 2012. He is a frequent collaborator with Radio Filarmonía 102.7 fm, the only classical radio station of Peru. Tello hosts “Une soirée musicale francophone” dedicated to French classical music, and “Tardes de Ópera”, hosting Metropolitan Opera radio transmissions and all-time opera recordings.

Sinfónica Juvenil en dos conciertos de alto voltaje