Fischer y la Sinfónica de Düsseldorf: Novena de Mahler

Par Ramón del Buey Cañas, 19 janvier 2019

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Critique faite à Auditorio Nacional de Música, Madrid, le 16 janvier 2019

Mahler, Symphonie no. 9 en ré majeur

Düsseldorfer Symphoniker

Ádám Fischer, Direction

Exciting new talents at Ballett am Rhein in a versatile new programme

Vikki Jane Vile, 23rd March

After a more traditional direction from the new leadership of Ballett am Rhein in their season opener, new programme Kaleidoskop is a mixed selection that sees a fusion of contemporary and neoclassical choreography.

****1

Lacking passion: Ballett am Rhein presents A Kiss to the World

Vikki Jane Vile, 26th January

Dominique Dumais ultimately seeks to address how humans long for contact and closeness, and explore the different meanings there can be behind a kiss.

**111

Demis Volpi's very modern Giselle: memorable but not fully formed

Vikki Jane Vile, 12th November

There are many ways to tell the story of Giselle, and Demis Volpi’s version for Ballett am Rhein offers up more than the odd surprise.

***11

Ambitious programme offers mixed results for Ballett am Rhein

Vikki Jane Vile, 13th October

Programming three choreographers who are always box office favourites is as sure fire a hit for Ballett am Rhein who debut this neoclassical triple bill featuring a selection of successes.

***11

Scheitern statt Scheiterhaufen: Die Jungfrau von Orléans in Düsseldorf

Svenja Koch, 9th September

Elisabeth Stöppler inszeniert Tschaikowsky-Rarität als Charakterstudie statt Kriegstableau.

****1

Reality wants augmenting in Daniel Kramer's Die tote Stadt

Eleanor Knight, 16th April

What's a director to do while we wait for technology to catch up with the complexities of the human condition?

***11

Plus de critiques...

Ramón del Buey Cañas

Ramón del Buey Cañas (Madrid, 1993) es Personal Docente e Investigador en Formación del Departamento de Filosofía de la Universidad Autónoma de Madrid; miembro del equipo directivo de la Asociación de Música Electroacústica y Arte Sonoro de España y programador de Filmadrid Festival Internacional de Cine.

Fischer y la Sinfónica de Düsseldorf: Novena de Mahler en el Auditorio