Edward Higginbottom reflexiona sobre una Pasión muy medida

Par Leonardo Mattana Ereño, 04 avril 2019

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Critique faite à Auditorio Nacional de Música, Madrid, le 3 avril 2019

Bach, Passion selon saint Jean, BWV245

Instruments of Time and Truth

Oxford Voices

Edward Higginbottom, Direction musicale

Nick Pritchard, Ténor

James Geidt, Basse

Benjamin Bevan, Baryton

Voyage envoûtant sur la Curlew River à l’Opéra de Dijon

Jean-Marc Piriou, 29th April

Un voyage intérieur au cours duquel le temps suspend son vol pour offrir au spectateur une expérience musicale et théâtrale envoûtante.

****1

Sir David McVicar's new Trittico a triumph for Scottish Opera

David Smythe, 11th March

Scottish Opera’s 60th birthday present proves a triumph, with outstanding singing from Karen Cargill, Sunyoung Seo, Viktor Antipenko and Roland Wood.

*****

Carmen in Cardiff: WNO's powerful new production is a triumph

Mark Valencia, 28th September

Virginie Verrez acted not with fire and ice but with gallic insouciance.

****1

Un ballo in maschera showcases Opera Holland Park at its best

Mark Valencia, 8th June

Gaitanou’s direction of the singers is so exact that it becomes impossible to separate them from their characters.

*****

More croce than delizia in Kramer’s new Traviata

Kevin W Ng, 16th March

Despite the entertainment value and striking imagery, Kramer's production is a surprisingly dull affair, with curiously little chemistry between the lead couple.

**111

Static but worth the slog: ETO's Giulio Cesare

Olivia Bell, 7th October

Conway's decision to render Handel's epic in its entirety was let down by a static staging and unnecessary repeats that masked the hidden gem-like arias.

***11

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Leonardo Mattana Ereño

Leonardo Mattana (1988) es Doctor en filosofía por la Universidad Autónoma de Madrid. También ha cursado estudios de piano, composición, teoría musical e historia de la música en el conservatorio de Sassari (Italia). Sus pasiones musicales son trasversales, privilegiando la música sinfónica y de cámara, pero sobre todo, buscando siempre en la experiencia estética de la música elementos de reflexión.