More croce than delizia in Kramer’s new Traviata

Par Kevin W Ng, 19 mars 2018

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“interactions between the three central characters were woefully underdeveloped”

Critique faite à The London Coliseum, Londres, le 16 mars 2018

Verdi, La traviata

English National Opera

Leo McFall, Direction

Daniel Kramer, Mise en scène

Lizzie Clachan, Décors

Esther Bialas, Costumes

Claudia Boyle, Violetta Valéry

Lukhanyo Moyake, Alfredo Germont

Alan Opie, Giorgio Germont

Heather Shipp, Flora Bervoix

Aled Hall, Gastone de Letorières

Benjamin Bevan, Baron Douphol

Martha Jones, Annina

Božidar Smiljanić, Marquis d'Obigny

Henry Waddington, Dr Grenvil

English National Opera Chorus

English National Opera Orchestra

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David Karlin, 16th February

Never has Brecht and Weill’s satire on the inhumanity of man to man been render with such utter darkness; Simon O’Neill heads up a superb cast.

*****

Taken for a ride: an energetic revival of Così fan tutte at ENO

Dominic Lowe, 6th February

English National Opera's revival of Phelim McDermott’s popular production is a blend of spectacle with some first-class singing, with Lucy Crowe emphasising her Mozartian credentials.

****1

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Mark Valencia, 20th November

Christopher Alden’s Olivier Award-winning production of Handel’s Partenope returns to the Coliseum, but it's the singing that earns the plaudits.

****1

Dead Man Walking at English National Opera: a superb execution

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Anneliese Miskimmon's ENO production of Jake Heggie and Terence McNally's tale of crime, repentance, compassion and redemption compels from start to finish.

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Mark Valencia, 27th September

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**111

ENO gives Thea Musgrave's Mary, Queen of Scots a worthy performance

Nick Boston, 15th February

Musgrave's powerful depiction of a powerful woman at the mercy of male manipulation receives a strong staging from at ENO.

****1

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Kevin W Ng

Kevin writes about music and culture, with a focus on opera. Originally trained as a violinist, he has a particular interest in 20th-century music. He is currently based in New York City.

More croce than delizia: Daniel Kramer’s new Traviata offers entertainment but little heart