Lucía Lacarra y Matthew Golding nos acercan las distancias

Par Jorge Baeza Stanicic, 25 janvier 2021

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Critique faite à Teatros del Canal: Sala Roja, Madrid, le 23 janvier 2021

Stillness (Anna Hop)

Close (Anna Hop)

Snow Storm (Yuri Possokhov)

Fordlandia (Juanjo Arqués)

Pile of Dust (Juanjo Arqués)

After the Rain (Christopher Wheeldon)

Matthew Golding, Mise en scène, Danse

Lucía Lacarra, Décors, Costumes, Danse

Florian Franzen, Lumières

Altin Kaftira, Vidéaste

Tulsa Ballet at the Linbury: an unforgettable, punchy UK debut

Deborah Weiss, 13th May

A stupendous London debut from Tulsa Ballet in which they present a contrasting triple bill. It bodes well for further invitations to dance in the UK.

*****

Atlanta Ballet shines in a mixed contemporary program

Rebecca Ehrhardt, 3rd April

Atlanta Ballet's Golden Hour program featured two world premieres and the Atlanta premiere of Christopher Wheeldon's Within the Golden Hour.

*****

A timely new Eugene Onegin opens the San Francisco Ballet season

Terez Rose, 23rd January

Yuri Possokhov’s reimagining of the classic based on Alexander Pushkin’s iconic 19th century novel, succeeds brilliantly in a masterful season opener and world premiere for the San Francisco Ballet.

****1

Fearless and theatrical: Tulsa Ballet visit Bonn for the first time

Vikki Jane Vile, 21st May

Tulsa Ballet has only toured internationally six times in their 70 year history. This year, they wrapped up in Bonn, the lucky city to host From Ballet to Broadway.

****1

The Australian Ballet celebrates 60 years with style and star turns!

Deborah Weiss, 6th August

The Australian Ballet's return to London's Royal Opera House after a 35 year absence, proves successful at every level.

****1

Slick but disjointed Anna Karenina premieres in Sydney

Chantal Nguyen, 5th April

Yuri Possokhov's Anna Karenina aims to be a dark psychological drama, but its uneven character development and unengaging choreography fail to satisfy.

***11

Plus de critiques...

Jorge Baeza Stanicic

Jorge Baeza es Profesor Superior de Piano y ha trabajado enseñando a tocar este instrumento en las Escuelas de Música Ayensa y Santa Cecilia, ambas en Madrid. Ha perfeccionado su técnica pedagógica con diversos maestros y ha complementado su formación con estudios sobre las aplicaciones de la Técnica Alexander a la interpretación musical. De forma paralela es autor del blog Tritono Music News (www.tritonomusicnews.com) orientado a la explicación pedagógica de contenidos musicales. En Bachtrack colabora redactando reseñas de conciertos desde el 2016 y actualmente desempeña su labor como Bibliotecario en el Ayuntamiento de Madrid.

Lucía Lacarra y Matthew Golding nos acercan las distancias en los Teatros del Canal