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Quels changements le monde de la musique classique a-t-il connu en 2024 ? Les tendances observées précédemment se poursuivent-elles ? Avec plus de 30.000 productions recensées dans 48 pays, Bachtrack offre un aperçu précieux du monde de la musique classique.

De Dvořák à Beethoven, Prague est un trésor pour ceux qui veulent en savoir plus sur la vie et l'œuvre de certains des plus grands compositeurs.

Awarded with the 2025 Antonín Dvořák Award together with her husband Sir Simon Rattle, Magdalena Kožená talks about the richness of Czech music, language barriers, and the importance of reading programme notes.

We take a trip to Antonín Dvořák’s birthplace, the composer summer hideaway Vysoká, and other spectacular cultural destinations in Central Bohemia.

The US violinist talks about his love for Dvořák’s Violin Concerto, ahead of concerts with Daniel Harding and the Accademia Nazionale di Santa Cecilia.

2024年のクラシック音楽界にはどのような変化があっただろうか？　これまでの傾向は維持されただろうか、それとも下火になっただろうか？　48ヶ国、30,000を超える掲載件数にもとづき、Bachtrackはクラシック音楽界の有益な見取り図をお届けする。

Deutsche Grammophon’s STAGE+ has assembled a comprehensive archive of Karajan’s recordings, concert films and opera performances – which did much to define the sound of classical music in the 20th century.

Johannes Brahms was a big supporter of Antonín Dvořák and justly so, for the Czech master, who made it big in America, composed music full of bucolic good humour and Romantic richness. 

The leader of the Czech Philharmonic’s viola section gives us an inside view on performing perhaps the most famous work in all of Czech symphonic repertoire.

Malkovich and Alexey Igudesman present The Music Critic, which presents the best critical barbs throughout history on stage – proving the actor’s deadpan style is perfect for throwing shade.

The Czech Philharmonic’s chief conductor talks Dvořák, discovering new repertoire, and finding a common language between conductor and orchestra.

Conductor Tomáš Netopil discusses his love of Czech music, and his upcoming program with the Czech Philharmonic in January, featuring an unusual work of Janáček’s and a world premiere from Miloš Orson Štědroň.

Intensive, precise rehearsal builds trust between musicians, which permits artistic freedom in performance: the Bamberg Symphony's young Chief Conductor tells us how it's done.