En direct, A la demande, En streaming: Rechercher des critiques de musique classique, opéra et ballet | Meyerbeer

Le Grand Théâtre de Genève propose une version des Huguenots satisfaisante musicalement mais desservie, hélas, par une lecture scénique dont on cherche en vain les clés.

C'est avec éclat que le Théâtre des Champs-Élysées termine sa saison, en compagnie de la pétillante Pretty Yende.

Point de cujus regio ejus religio au Capitole pour l’œuvre de Meyerbeer, illustrant la vie de Jean de Leyde d’après les écrits voltairiens. Saisi et bloqué dans la violence des guerres entre l’ancienne et la nouvelle religion, l’épisode est mis en scène de façon grandiose pour cette dernière et nouvelle production de la saison lyrique toulousaine. 

Diana Damrau a fait vibrer l'Opéra de Marseille lors d'un récital qui restera dans les anales de l'institution marseillaise. 

De Gluck à Massenet, on plonge avec délice dans l’histoire de l’opéra français.

Meyerbeer's tale of the Anabaptist rebellion in the 16th-century religious wars proves to be a powerful thriller, with Clémentine Margaine and Gregory Kunde leading a very strong singing cast.

John Osborn leads a very successful premiere of Peter Konwitschny's new production of Meyerbeer's Les Huguenots in Dresden

A mixed bag from three titans of twentieth century ballet. of which Les Patineurs stands the test of time, best of all; the perfect winter dream: one that comes in a snooze after mulled wine in front of a roaring log fire.    

It's a big night at the Opéra Bastille for their 350th anniversary season; Oropesa's dazzling coloratura stops the show; Andreas Kriegenburg sets the action interestingly in a Star Trek future.

Oliver Py's new Meyerbeer staging offers plenty of clichés, but is a solid show, backed up by a fine musical performance.

Oliver von Dohnányi leads a great orchestral performance to drive Meyerbeer's grand historical epic, lit up by sparkling coloratura from Klára Kolonits.

The performance of Margherita d’Anjou seen at the Festival della Valle d’Itria in Martina Franca was the first staged in modern times.

Rare repertoire, polished orchestral playing, thrilling singing – it's no wonder London's operatic cognoscenti were out in force.

Meyerbeer's little performed work is given an enthusiastic rendering, with star singing from a big cast led by Flórez, Ciofi and Jerkunica. David Alden's quality Personenregie makes up for some unconvincing setting choices.

Attention to delivery, effective interpretation and intelligent programming is what make the duo such a consistently beloved force in concert.

A modern updating of Vasco da Gama's discovery of a sea route to India? Vera Nemirova's stylish production of Meyerbeer's Grand Opéra works inteligently for the most part. 

Pretty Yende makes a successful New York recital debut at Carnegie Hall with a diverse selection of songs and arias.

A rare chance to hear Meyerbeer's comic opera Dinorah performed in a concert version by the Deutsche Oper Berlin leaves the reviewer concurring with the verdict of history.

Robert le diable’s 1831 opening was perhaps the most successful opera première of all time. Meyerbeer was lauded by luminaries like Chopin, Dumas, Balzac and Heinrich Heine, the opera was played in 69 cities in its first two years and spawned an entire genre of French Grand Opera.