En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Yeol Eum Son

Le quintette de joyeux trublions a conclu la journée du samedi en revisitant le Quintette pour clarinette et cordes de Johannes Brahms, sans toutefois parvenir à électriser les foules.

Au Rosendal Chamber Music Festival, le duo a proposé une interprétation de référence de la Première Sonate pour violoncelle et piano de Brahms.

Malgré l'annulation de dernière minute d'un musicien souffrant, les artistes du Rosendal Chamber Music Festival ont livré un programme bouleversant de bout en bout.

James Ehnes, Yeol Eum Son, Leif Ove Andsnes, le Dover Quartet, Håkan Hardenberger et Roland Pöntinen ont ouvert cette septième édition consacrée à Johannes Brahms.

Représentant rêvé de la culture symphonique française, Mikko Franck sait ce que ses meilleures heures doivent avant tout à son goût de l’ailleurs.

Effortless Brahms and rich Sibelius from Sado and the Tonkünstler-Orchester, with elegant Mozart from Yeol Eum Son at Cadogan Hall.  

Stepping in for an indisposed Jonathon Heyward, Antonio Méndez conducts the BBCSO at their most colourful and joyously virtuosic. 

Limpid Mozart and stirring Sibelius invigorate listeners in Singapore's historic Victoria Concert Hall.

Conducting with a baton, but without a score, Scaglione left no doubt in anyone’s mind who was in charge.

A bold programme from an orchestra with a bold sound as the ISO trails in the wake of Storm Ciara on its debut UK tour. 

Andrew Manze conducts the RLPO in a performance of Bruckner in which beauty was always kept to the fore

Wellber may have lots planned for the BBC Philharmonic over the coming years, but this exciting programme showed that he didn’t want to waste any time delivering.

Missy Mazzoli's double bass concerto receives its UK premiere as part of Kings Place's Venus Unwrapped season. 

The CBSO chose a programme that was ostensibly simple, but proved to be deceptively difficult.  

In Prague, the Mariinsky Maestro transforms the Czech Philharmonic and leaves the audience wondering if his soloist upstaged him. 

“Music from three centuries comes together in tonight’s concert,” declare the programme notes to the Hong Kong Sinfonietta performance at the Hong Kong City Hall Concert Hall. Indeed it surveyed the best and most famous in the classical canon. What caught my attention, however, was the opening work: Frates by Estonian composer Arvo Pärt.