Classy Brahms ends a fine visit from the Tonkünstler-Orchester

Par Nick Boston, 14 mars 2025

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“is it fair to assume that Brahms’ First Symphony is in the blood of an Austrian orchestra?”

Critique faite à Cadogan Hall, Londres, le 13 mars 2025

Sibelius, Symphonie no. 7 en ut majeur, Op.105

Mozart, Concerto pour piano no. 21 en ut majeur, « Elvira Madigan » K467

Moskowski, Étincelles, Op.36 no.6

Brahms, Symphonie no. 1 en ut mineur, Op.68

Brahms, Hungarian Dance no. 5 in F sharp minor (orch. Parlow)

Yeol Eum Son, Piano

Vienna Tonkünstler Orchestra

Yutaka Sado, Direction

Echoes of the Americas: Sierra and Ginastera meet Dvořák in Vienna

Chanda VanderHart, 5th April

Under the baton of Domingo Hindoyan, the Tonkünstler brings Latin America and Dvořák's New World Symphony to the Musikverein.

***11

Knockout playing from the Tonkünstler in Edinburgh

Simon Thompson, 28th October

This concert at Usher Hall delivered extraordinary playing, in repertoire ranging from Beethoven to Bernstein and Sibelius.

*****

Epic Sibelius ends from the Vienna Tonkünstler

David Karlin, 28th February

Yutaka Sado and the Tonkünstler excel in the epic passages of the Sibelius and the outer movements of the Mendelssohn Violin Concerto, less convincing in more lyrical moments.

***11

From Vienna to the New World

Dominic Lowe, 26th February

For the first of three concerts at the Cadogan Hall, the Vienna Tonkünstler Orchestra gave a heavy account of Beethoven's Piano Concerto no. 4, lightened by the graceful playing of Angela Hewitt, followed by a rich New World Symphony.

***11

"Ich hörte Harfenklang..."

Simon Haasis, 17th April

Das Tonkünstler-Orchester Niederösterreich lief unter Kristiina Poska mit Janáček zu Höchstform auf.

***11

Muscular Rachmaninov forged at the Anvil

David Truslove, 5th March

Eastern European folk rhythms and the spirit of fin de siècle Russia resonate through Basingstoke as the Vienna Tonkünstler Orchestra plays Kodály, Rachmaninov and Dvořák.

****1

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Nick Boston

Nick has an MA in Music, specialising in performance and repertoire. His particular passions are choral music, chamber music and opera, with a particular interest in early music. He sings in a number of choirs in the south east of England, plays the piano and occasionally dusts off the violin. He writes about music here.

Classy Brahms ends a fine visit from Yutaka Sado and the Tonkünstler-Orchester