En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Norman Garrett

David Angus leads a taut, spirited performance, but Steve Maler’s staging of Verdi's first Shakespearean opera raises many questions. 

The first fully staged American production of Chausson's sole opera features remarkable singing, fine storytelling and plush orchestral playing.

Lots of people talk about keeping opera relevant. WNO shows why this opera always has been.

Glimmerglass’ Porgy and Bess proves one more time that Gershwin’s opus remains America’s most important 20th-century opera.

This year’s Wexford Festival opened with Frederick Delius’ Koanga – a tricky piece to get right, but director Michael Gielata largely succeeded.

The marriage between performers and score here is perfect, because Gershwin’s text-setting is near-miraculous, somehow every word is clear and seems to be naturally inflected by the curvature of the musical line.

Most Americans are ashamed of the legacy of the Ku Klux Klan in this country and their lawless persecution of non-whites. Racism in America is not a pretty subject, and it doesn’t make for pretty opera. It does, however, make for a thought-provoking and even disturbing piece in the hands of Philadelphia’s Center City Opera Theater (CCOT).