Rechercher des critiques de musique classique, opéra et ballet | Dennis Russell Davies

Pour l’Orchestre Français des Jeunes, dont les effectifs sont renouvelés chaque année, ce concert à la Cité de la Musique était le dernier de la saison, après un mois de travail estival et deux tournées en France et en Europe. Le temps de la scène fut donc également, pour les jeunes musiciens, celui des adieux ; mais ils furent de ceux qui réjouissent, la ferveur du moment se conjugant au plaisir du jeu.

Eötvös' drei Melancholie-Schwestern führen das Frankfurter Publikum durch die todtraurigen und absurden Existenzformen des postmodernen menschlichen Daseins.

Un atractivo programa fundado en los contrastes, con un discurso heterogéneo que entrecruza lenguajes folclóricos, electroacústicos y clásicos, donde la emotividad se reinventa en las melodías de Kaija Saariaho. 

With expert assistance from Dennis Russell Davies, the overlooked Brno Philharmonic makes the most of a contemporary cantata.

The Bruckner Orchester Linz’s Chicago appearance was centered on American music with music director Dennis Russell Davies and vocalist Angélique Kidjo, rounded off by a Zemlinsky song cycle based on African-American poetry.

For his guest appearance with the Berlin Konzerthausorchester last weekend, Russell Davies was joined by violinist Chad Hoopes for performances of Glass and Adams alongside Bruckner’s First.

I can certainly attest that this was the closest I have ever felt to watching a 3-D thriller in Dolby Surround Sound whilst at the opera.

A mixed evening at Cadogan Hall, with Philip Glass' Ninth Symphony emerging much more strongly than some stodgy Beethoven. 

A rare visit to London by the Bruckner Orchester Linz, with their Music Director Dennis Russell Davies, saw them bring Bruckner's Sixth to Cadogan Hall. 

La OCNE, de la mano de Dennis Russell Davies y Katia y Marie Labèque, comienza el ciclo de conciertos dedicados al compositor neoyorquino.

Bolcom’s McTeague, a two-act opera based on the 1899 novel McTeague: A Story of San Francisco by Frank Norris, is warmly received at its European première with the Landtheater Linz. 

Carole Wilson’s Herodias almost upstages Lise Lindstrom’s sexy Salome in a fine revival of Boleslaw Barlog's 1972 production in Vienna.

A righteous, politically-relevant but musically questionable world premiere of Philip Glass' revised Appomattox.

Dennis Russell Davies conducts the Basel Symphony Orchestra in idiosyncratic Les Six, and portentous Holst, while Alice Sara Ott provides exuberant Ravel. 

This superb concert deserved a full house, but there were more bodies on the platform for the Rite of Spring than listeners in the front stalls.

With Götterdämmerung the Linz Ring came to a controversial conclusion with a graphic depiction of Siegfried violently raping a defenceless Brünnhilde, and Hagen entertaining his father Alberich, and his mother.

Rewarding performances by Matthäus Schmidlechner as Mime and Lars Cleveman in the title role, plus Elena Nebera as Brünnhilde, made Richard Wagner’s Siegfried at the Landestheater Linz a joy.

Some beautiful singing from Michael Bedjai as Siegmund and Brit-Tone Müller as Sieglinde set a high standard in this Landestheater Linz production of Richard Wagner’s Die Walküre.

Gerd Grochowski made a stunning Wotan and Michael Bedjai a cheerful Loge in Landestheater Linz’s production of Das Rheingold.

Dennis Russell Davies and the Basel Symphony orchestra, in their tour of the UK, have bravely chosen to take with them a generous selection of minimalist works by some of the leading composers in this genre, a brilliant programme of music by Philip Glass, Arvo Pärt and John Adams at Cadogan Hall.