En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Mhairi Lawson

Porté ici par un Gabrieli Consort en bonne forme, quoiqu’un peu contenu par la direction de Paul McCreesh, et des solistes tout à fait convaincants, King Arthur rappelle ici ses grandes qualités musicales

Mozart's Requiem packs in the crowd, but it's Berg's Violin Concerto with Carolin Widmann that really finds the spiritual depth.

A claim was made not to authenticity, but merely to “a chance to hear the work anew”.

A concert performance of a Purcell semi-opera can never fully succeed, but compromise is worth it, if it enables us to hear a significant part of a major composer's output.

Handel's Christmas classic gets a fresh lick of paint from John Butt and colleagues. 

Scotland's Dunedin Consort offers a radiant program of Purcell and his peers.

Beinahe war dieser King Arthur so rund und erhaben schön, dass die fünf Akte auch zu fünf Sternen geführt hätten.

Eschewing conventions throughout, Daisy Evans' production of The Fairy Queen walks boldly out of the woods into an exciting future for opera staging.

Una soberbia interpretación que hizo justicia a la utopía humanista del sexagenario Franz Joseph Haydn

Abos' Stabat Mater is given an enthusiastic response at the Valletta International Baroque Festival. 

With only twelve singers, including the soloists, the Dunedin Consort gives an insight into what the first Messiah might have sounded like in Dublin's Musick Hall in 1742.

Paul McMcreesh leads Royal Northern Sinfonia and their chorus in a Messiah that deliveres all the intoxicating excitement of Handel's operatic writing. 

Adrian Chandler and La Serenissima showcase dramatic Vivaldi motets in a lively programme of lesser known Pietà music. 

Laurence Cummings and Royal Northern Sinfonia round off their week of Bach concerts at Sage Gateshead with joyful orchestral music, and Bach's miniature comic opera.

Laurence Cummings and Royal Northern Sinfonia present Bach's musical world in miniature in a programme of chamber music by Bach and his contemporaries.

"Glorious Bach" offered up exactly what it said on the tin as Royal Northern Sinfonia, with their guest conductor, baroque specialist, Laurence Cummings delivered some of Bach’s happiest music in a radiant and unfussy way.

Thomas Zehetmair brings out all the ochestral detail of Bach's masterpiece, creating a beautifully approachable and engaging St Matthew Passion that goes straight to the heart of the story.

It is no surprise that in this Olympic year, various cultural goings-on have taken on, or alluded to, a sporting theme. This year's Lufthansa Festival of Baroque Music made no exception, taking as its theme the ethos of the Olympic Games – Contests, Competitions and the Harmony of Nations – and cunningly applying it to incidents in musical history, as well as to music itself.

A year after the first performance of his St John Passion, Bach made several significant alterations that divert the emphasis of the work away from Christ’s final triumph over death, focusing instead on human sinfulness.