En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Idunnu Münch

Voici 12 des 12 critiques

Lire des comptes-rendus dans d'autres langues : English

Albert Dohmen (Gurnemanz), Christopher Sokolowski (Parsifal) and Dshamilja Kaiser (Kundry) © OBV | Annemie Augustijns

Digital drama, celestial singing: Opera Ballet Vlaanderen’s Parsifal in Antwerp

Par Simon Thompson, 14 octobre 2025

Digital projections make Opera Ballet Vlaanderen’s Parsifal seem alienating and strange, but the singing is terrific and the orchestra sounds sensational.

***11

Plus d'infos

***11

Anvers

14 oct. 2025

Opera Ballet Vlaanderen’s Parsifal: digital drama, celestial singing

Par Simon Thompson

Genève

Justice in Geneva: a musically appealing world premiere misses its polemic mark

Par David Karlin, 22 janvier 2024

Director Milos Rau, composer Hèctor Parra and librettist Fiston Mwanza Mujila put the operatic spotlight on the fight for justice after a mining disaster in the DRC, with mixed results.

**111

Plus d'infos

**111

Genève

22 janv. 2024

Justice in Geneva: musically appealing but missing its mark

Par David Karlin

Scottish Chamber Orchestra Chorus © Christopher Bowen

Edimbourg

A neglected Schubert masterpiece from the Scottish Chamber Orchestra

Par David Smythe, 30 novembre 2023

Two short choral works and a Bach double violin concerto introduce Schubert’s neglected masterpiece, his Mass in A flat major.

****1

Plus d'infos

****1

Edimbourg

30 nov. 2023

A neglected Schubert masterpiece from the Scottish Chamber Orchestra

Par David Smythe

Kenneth Kellogg (The Father) and Ronald Samm (The Reverend) © Zoe Martin

Londres

Blue, Jeanine Tesori's new opera on urban violence, comes to ENO

Par Mark Valencia, 20 avril 2023

Blue could hardly have been better rendered than here. Indeed, I wish every opera I see could be staged with such grace and finesse.

***11

Plus d'infos

***11

Londres

20 avril 2023

Blue, Jeanine Tesori's new opera on urban violence, comes to ENO

Par Mark Valencia

John Relyea (Wotan) © English National Opera | Marc Brenner

Londres

Lucid in music and narrative: ENO and Richard Jones’ The Rhinegold

Par David Karlin, 18 février 2023

Martyn Brabbins conducts an excellent ENO orchestra and consistently good ensemble cast as Richard Jones delivers a wealth of narrative detail to introduce Wagner's Ring.

****1

Plus d'infos

****1

Londres

18 févr. 2023

Lucid in music and narrative: ENO's Rhinegold

Par David Karlin

Londres

Richard Jones’ second London Ring falters at the first fence

Par Mark Pullinger, 19 novembre 2021

Breastplates are back in vogue, but comedy horses and cheap production values undermine the first chapter in English National Opera's new Ring cycle.

**111

Plus d'infos

**111

Londres

19 nov. 2021

Richard Jones’ second London Ring falters at the first fence

Par Mark Pullinger

Villes inconnues ou diverses

A labour of love and determination: L’Enfant et les sortilèges

Par David Smythe, 16 novembre 2020

Virtual Opera made real as Ravel's miniature masterpiece is recorded remotely around the world and melded with Leanne Vandenbussche’s picture-book drawings and the London Philharmonic Orchestra's soundtrack to create magic.

****1

Plus d'infos

****1

Villes inconnues ou diverses

16 nov. 2020

A labour of love and determination: L’Enfant et les sortilèges

Par David Smythe

Londres

Prom 35: Martyn Brabbins celebrates 60th birthday in style

Par Nick Boston, 13 août 2019

A fascinating new companion piece to Elgar's Enigma Variations, from 14 contemporary composers, in celebration of Martyn Brabbins' 60th birthday, performed with enthusiasm by the BBC Scottish Symphony Orchestra.

****1

Plus d'infos

****1

Londres

13 août 2019

Prom 35: Martyn Brabbins celebrates 60th birthday in style

Par Nick Boston

Berlin

Handel in the British Raj: Harry Kupfer returns to Komische Oper with a rarity

Par Zenaida des Aubris, 16 mars 2019

Loyalty and misdeeds in the jungle of emotions in Handel's Poro, re dell'Indie.

****1

Plus d'infos

****1

Berlin

16 mars 2019

Handel in the British Raj: Harry Kupfer returns to Komische Oper

Par Zenaida des Aubris

Milan

Breaking with Verismo: Zandonai's Francesca da Rimini returns to La Scala

Par Renato Verga, 15 avril 2018

The use in the score of ancient musical instruments is what differentiates this work: pifferi, a lute, a “viola pomposa” give this work a distinctive flavour.

****1

Plus d'infos

****1

Milan

15 avril 2018

Francesca da Rimini returns to La Scala

Par Renato Verga

Verbier

A Salome lacking drama at the Verbier Festival

Par Mark Valencia, 21 juillet 2017

Like most honest listeners I crave a taste of turpitude in Salome.

**111

Plus d'infos

**111

Verbier

21 juil. 2017

A Salome lacking drama at the Verbier Festival

Par Mark Valencia

Stuttgart

Modern terror: new production of Salome in Stuttgart

Par Ako Imamura, 01 décembre 2015

Director Kirill Serebrennikov gives us a frightening new reality of the modern world beset by war and terrorism in his reimagining of Strauss's Salome

****1

Plus d'infos

****1

Stuttgart

01 déc. 2015

Modern terror: Salome in Stuttgart

Par Ako Imamura