En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Ruby Hughes

Sous la direction de Christian Zacharias, la formation auvergnate est à son aise dans un programme éclectique, notamment dans Les Illuminations de Britten où s'illustre la voix de Ruby Hugues.

Two short choral works and a Bach double violin concerto introduce Schubert’s neglected masterpiece, his Mass in A flat major. 

Cecil Armstrong Gibbs’ largely forgotten Symphony no. 2, "Odysseus" proves exhausting, while works by Ireland and Howells tap into rich veins of mythical wistfulness and excruciating pain.

A novel venue provided the unusual setting for an engaging and impressive performance by the Multi-Story Orchestr and Multi-Story Youth Choir of music by JS Bach, Kate Whitley and John Adams.

Lars Vogt and Royal Northern Sinfonia end their explorations of Mozart and Sibelius with the composers' final works.

Spanish conductor Jesús López Cobos’ debut appearance with the BBC Philharmonic produced some wonderful results with a thoughtful and widely-varying programme of twentieth century music.

Thierry Fischer and the BBC National Orchestra of Wales presented an eclectic programme, with an exciting première by Simon Holt and the many different facets of 20th century French orchestral music.

For years now, Henryk Górecki’s Third Symphony has been at the head of my bucket list of works to hear in concert – and this Prom with the BBC Symphony Orchestra and conductor Osmo Vänskä gave me the chance.

Anyone craving an antidote to the Wagner marathon at the Proms could look no further than the third in the Proms Chamber Music series at Cadogan Hall.

Although I never had the pleasure of attending Garsington Opera in its original setting in Garsington Manor, I was very impressed by their new premises at Wormsley, Buckinghamshire, with their spectacular-looking and also comfortable opera pavilion.

ENO's latest première matches a young theatre director with a reputation for cutting-edge drama to one of the earliest operas in the repertoire, in the less-than-conventionally-operatic surroundings of London's Young Vic. It's an improbable combination, and I wasn't at all sure what to expect.