En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Sonate pour piano no. 18 en mi bémol majeur « La Chasse », Op.31 no. 3

À la Philharmonie de Paris, Daniel Barenboim commence une nouvelle intégrale des sonates pour piano de Beethoven. Retour sur un récital contrasté, des promesses de la Sonate n° 1 à une décevante Hammerklavier.

En récital à l’Auditorium de Lyon, Leif Ove Andsnes dégage l’essence des choses.

La beneficiaria de la primera edición de la Beca Alicia de Larrocha debuta en el Palau de la Música de Barcelona.

The Singapore International Piano Festival returns with an impressive show of keyboard mastery by the Argentinian pianist.

Yuja Wang showed once again that she has way more to offer than fireworks, with delicacy, dynamic control and sensitive expression too in her wide ranging programme.

Streamed from an empty concert hall, the Concertgebouw's Beethoven Festival Online offered a series of six chamber works. 

Der Pianist spielte in der Philharmonie in großer Form auf.

The Welsh pianist Llŷr Williams, in sync with an appreciative audience, offers Beethoven both lyrical and profound.

Nach Beethoven leuchtet Daniil Trifonov besonders bei Schumann und Prokofjew auf.

Thursday's opening of the Oslo Chamber Music Festival showed an enticing bredth of programming, showcasing a wide array of new and old music, all performed with utter conviction.

Andsnes continues to woo Irish audiences with a concert of miniatures.

Although this was ostensibly a recital featuring the music of two composers, a third, much less venerable one, also managed to leave his mark on proceedings. The figure in question is Carl Czerny, the one-time pupil of Beethoven’s whose banal piano studies proved to be the springboard for the first of Claude Debussy’s own, far more inventive forays into the genre.