En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Sonate pour violon seul no. 3 en ut majeur, BWV1005

John Wilson brings his Sinfonia of London to the BBC Proms to crown the Ravel 150 celebrations with a glowing performance of his hedonistic symphonie chorégraphique.

Faust demostró que hay una música que puede emocionar alcanzando al cerebro y al corazón por partes iguales. 

Die Romanische Nacht verbindet Bach-Partiten und -Sonaten mit Musik der senegalesischen Griots.

Fabio Biondi acomete la solitaria y titánica tarea de interpretar las sonatas y partitas de violín de Johann Sebastian Bach.

A three hour Bach "meditation", with Bach mixed with Kurtág, various other modern pieces and free jazz improvisation all sounded a bit radical. But the results were extraordinary. 

Maestro Myung-Whun Chung and Clara-Jumi Kang collaborate with the Tokyo Philharmonic Orchestra at the Festa Muza Kawasaki 2016.

Manfred Honeck led the CSO in two works of Respighi capped off with a memorable Tchaikovsky Sixth.

Modern vs Baroque violin? Vibrato vs non-vibrato? Listening to Alina Ibragimova’s performance in this year’s Late Night Bach Prom series, such simplistic distinctions seemed meaningless.

Conductor Brett Mitchell also led worthy performances of Dvořák’s The Noon Witch and Bartok’s Concerto for Orchestra, joined by student ensemble, the Kent/Blossom Chamber Orchestra.

From the very beginning, as Faust teased out the twisting opening theme, one could tell this was to be no ordinary Mendelssohn performance.

It’s a busy month for superstar violinist Gil Shaham, who started February with Erich Korngold’s Violin Concerto and will end it with a new CD release. In between, he is resuming his exploration of Bach’s sonatas and partitas for solo violin with recitals in the United States and Italy.

“The name Stradivarius had an air of magic to me.” Virtuoso violinist James Ehnes’ statement manages to capture the air of reverence which underpinned Friday’s Music at Oxford concert. The gala marked the opening of the UK’s first Stradivarius exhibition at Oxford’s Ashmolean Museum, and two violins from the exhibition were on temporary release for the evening.

A stunning Amandine Beyer courageously took the stage this weekend during a string of concerts surrounding the theme of J.S. Bach during Utrecht’s Bach Dag (Bach Day). Comprising seven concerts on Saturday alone in churches inside the beautiful city of Utrecht, this two-day event was produced by the Festival Oude Muziek Utrecht (Utrecht Early Music Festival).