En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Quintette pour clarinette et cordes en la majeur, K581

Du Quatuor Fidelio au duo Pritchin-Emelyanychev, le week-end d'ouverture du festival tourangeau a fait la part belle au répertoire chambriste, avec plus ou moins de bonheur.

Nasmé Ensemble se presentó en el Palau de la Música de València con un programa que combinó música europea y de raíz palestina.

These charming miniatures sounding overparted snatched from domestic service and pressed into public performance.

Man soll aufhören, wenn‘s am Besten ist. Gemäß dieser Maxime beendet Sabine Meyer ihre beeindruckende Karriere.

Jörg Widmann und das Hagen Quartett lassen vermeintlich bekannte Werke lebendig werden.

Franco Faglioli y la Orquesta Capella Cracoviensis ofrecen en el Teatro Real un recital muy por debajo de las expectativas.

El Cuarteto Quiroga, que celebra veinte años como conjunto, se presentó en el Liceo de Cámara junto a Jörg Widmann con un programa que, asentado en la tradición clásica, complementaba brillantemente el estreno de Widmann.

The clarinetist/composer fulfills a dream and takes a talented quartet on a rambunctious romp through Mozart, Haydn and his own music.

El Quinteto de Cuerda de la Filarmónica de Berlín lideró un viaje musical de Viena a Praga acompañados por el clarinetista Miguel Àngel Tamarit.

Playful Weber and sublime Mozart performed with warmth and joy by Michael Collins and the London Mozart Players from the lofty St Pancras clock tower.

In Mozart's Clarinet Quintet, the dialogue between instruments, underlined by changes in moods and textures, had an operatic quality.

The Italian brought two beautiful period instrument clarinets to Wigmore Hall for the perfect pairing of clarinet quintets by Mozart and Brahms. 

An exploration of expression within controlled structure from Van Wauwe and the Quatuor Van Kuijk, in passionate Webern, tense Durupt and spirited Mozart.

What a debt clarinettists owe to Anton Stadler and Richard Mühlfeld! Muses for Mozart and Brahms respectively, they were inspirations for some of the most glorious works written for the instrument.

As part of the City of London Festival 2013, the Nash Ensemble delivered a varied mixture of works loosely connected by the ubiquitous Britten theme. This hotchpotch-style approach has worked very well indeed for the Nash for nearly 50 years, and tonight’s concert was no exception.