En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Symphonie de chambre no. 1 en mi majeur, Op.9

Sous la direction engagée de Matthias Pintscher, l'Ensemble intercontemporain a brillé dans un concert consacré au maître de la Seconde école de Vienne, Arnold Schönberg.

Hanna-Elisabeth Müller joined the visiting Deutsches Symphonie-Orchester Berlin for Mahler's Fourth Symphony and Unsuk Chin's surprising Puzzles and Games, derived from her opera Alice in Wonderland.

At the Southbank Centre vivid performance of seminal works shows how Schoenberg added colours to the Chameleon and enriched our sound world. 

Zum 150. Geburtstag des einstmaligen Publikumsschrecks stellen die Berliner Philharmoniker unter Kirill Petrenko in Die Jakobsleiter existenzielle Fragen.

Dame Mitsuko Uchida demonstrates why she is one of today's greatest Mozartians, while her MCO players give a virtuoso account of a work steeped in the Viennese tradition.

Dame Mitsuko Uchida und das Mahler Chamber Orchestra bringen Mozart und Schönberg ins Amsterdamer Concertgebouw.

The West-Eastern Divan Orchestra presents a superb programme executed with power and urgency to herald the return of public music-making at the Pierre Boulez Saal.

The Bayerische Staatsorchester saved the best for last with its season finale, a generous programme of Strauss, Schoenberg, Stravinsky and Mahler.

Experiments in music and ideas brought together by the London Sinfonietta and guests at a special concert all about space and time.

Rewarding programme contrasting First and Second Viennese schools opens Berlin's 2017 Festtage.

This was an ingenious and memorable concert of rarities and hybrids from early 20th-century Vienna, curated and performed by the ever imaginative Janine Jansen.

La recuperación de Clamores y alegorías de Enrique X. Macías a cargo de Arturo Tamayo y la Sinfónica de Galicia representó una exitosa culminación de las Jornadas de Música Contemporánea

“Let me play the lion too.” I hadn’t associated Daniel Barenboim with Nick Bottom from A Midsummer Night’s Dream before, but during Beethoven’s Triple Concerto, I half expected him to leap from his piano stool and play the violin and cello parts too. 

Detailed, transparent readings from the London Sinfonietta brought out the modernist in early Schoenberg, but passion and atmosphere were lacking.

The Hebrides Ensemble commemorate WW1 in an ingeniously crafted centenary programme at Edinburgh's Queen's Hall.

A concert of music from the beginning of the 20th century with Pons and the BBCSO, including a performance of music by neglected opera composer Franz Schreker.

You are sitting in the choir stalls of the Royal Festival Hall, watching the ceramic artist and writer Edmund de Waal address you, his back to an enormous sea of empty, grey, imposing seats. He is delivering a vivid narrative account of a day in the life of a young aristocratic Jewish boy in early 20th-century Vienna.

Oliver Knussen has a reputation for presenting interesting and unusual programmes, and this evening in the sumptuous Barbican Hall was no exception. This concert featured new and rarely-performed music, including both a world première and a UK première.The opening Symphony no. 10 by Nikolai Miaskovsky was a triumph.