En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Recomposed: Vivaldi – The Four Seasons

La violoniste et l'orchestre ont enthousiasmé le public de La Filature par leur interprétation d'une grande finesse des Quatre Saisons recomposées de Max Richter.

Warm Vaughan Williams and energetic Richter and Vivaldi from MacGregor and the BPO strings, with an astonishing performance of Tavener’s The Protecting Veil from Guy Johnston the highlight. 

Max Richter's Recomposed: Vivaldi – The Four Seasons is performed by the Norwegian violinist Mari Samuelsen and the RTÉ Concert Orchestra. 

Inventiveness, joyful performance and intuitive communication from Thomas Gould and the Britten Sinfonia in recompositions from Richter, Auerbach and Tippett.

Max Richter's rethinking of Vivaldi impresses at the Paris Philharmonie. 

Let's be brutally honest, concertgoers: Vivaldi's Four Seasons has been played to death - recorded by everybody who's anybody. It's been a wonderful old warhorse over the years, but it has been flogged once too often. Can it really be possible, then, to bring this animal back from the dead and rekindle our enthusiasm?

As one of the headline acts for the newly established Bristol Proms, award-winning British violinist Daniel Hope played alongside the Royal Philharmonic Concert Orchestra for the first orchestral performance on the Bristol Old Vic Theatre stage for over a century.

At once, Max Richter’s avant-garde remix of Vivaldi’s Four Seasons is both strange and familiar. Poised atop the stage at (le) Poisson Rouge sat the LPR ensemble – complete with a harpsichord! – ready to begin their performance. But something curious happened: the players remained silent as an electronic hum radiated out of a laptop on stage.