En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Sonate pour piano et violon no. 5 en fa majeur « Le Printemps », Op.24

De Beethoven à Ravel avec un écart vers Perkinson, le violoniste et le pianiste ont proposé un récital varié et toujours maîtrisé.

Un concert magique mêlant grâce et fougue au Club musical de Québec avec le pianiste Charles Richard-Hamelin et le violoniste Andrew Wan en remplacement de Renaud Capuçon et Guillaume Bellom.

Concierto de Ibermúsica en coproducción con Juventudes Musicales en el que Anne-Sophie Mutter y Lambert Orkis desgranaron técnica y musicalidad excepcionales en cada sonido.

Bach, Beethoven and a virtuoso showstopper from Bomsori Kim in recital in Singapore's Victoria Hall. 

Bomsori Kim and Jean-Paul Gasparian prove an ideal coupling of natural musicality and effortless technique in Beethoven, Brahms and Szymanowski.

Joshua Bell and Jeremy Denk bring out the poetry of Beethoven's violin sonatas.

Brahms wrote four of the greatest works in the clarinet repertoire for his friend Richard Mühlfeld. The indefatigable Michael Collins performed three of them in the latest recital in Stephen Hough's Brahms residency.

Nikolaj Znaider und Piotr Anderszewski gastieren mit einem facettenreichen Duorecital im Kammermusiksaal der Elbphilharmonie.

Kavakos and Pace give us a textbook lesson in perfect balance between violin and piano as they trade the melody in Beethoven sonatas.

A recital from one of the world's most celebrated violinists took the audience on a tour of periods in classical music. 

Richard Tognetti (violin) and Polina Leschenko (piano) display an intensely concentrated, yet good-humoured rapport in Sydney. 

Baráti and Würtz quickly showed their adeptness turning Beethoven’s quick lines into easy gestures. Together, they understand the meaning of the phrase, the weight of good articulation, and the importance of the space between notes.

Sensitive and passionate chamber musicianship as Catherine Leonard and Hugh Tinney enthrall with the second concert of three in their Beethovenian violin sonatas cycle. 

If the Cadogan Hall’s “Celebrity Recital Series” conjures up unwelcome memories of Jordan’s brief career as a singer, never fear: the Hall has attracted a very different type of famous figure. Hilary Hahn is as unlike Katie Price as could be imagined: small, dark and unassuming, you could pass her in the street without a second glance.