Exposing Beethoven: Baráti and Würtz in Houston

Par Sydney Boyd, 27 avril 2016

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Critique faite à Menil Collection, Houston, le 26 avril 2016

Beethoven, Sonate pour piano et violon no. 3 en mi bémol majeur, Op.12 no. 3

Beethoven, Sonate pour piano et violon no. 5 en fa majeur « Le Printemps », Op.24

Beethoven, Sonate pour piano et violon no. 10 en sol majeur, Op.96

Kristóf Baráti, Violon

Klára Würtz, Piano

Grand Prix Lycéen des Compositeurs : la Jeunesse rencontre le Temps

Julius Lay, 4th April

À la Maison de la Radio, l'Orchestre National de France dirigé par Marin Aslop interprétait La Lame des heures de Jean-Baptiste Robin, avant le Concerto pour violon de Bruch par Kristóf Baráti et la Symphonie n° 7 de Chostakovitch.

****1

Grandiose Künstlerparade zum 30. Geburtstag des Verbier Festivals

Thomas Schacher, 24th July

Nicht weniger als sechzig grössere und kleinere Stars der klassischen Musikszene gaben sich beim Galakonzert in Verbier die Ehre. Ein grosser Erfolg für den Intendanten Martin Engstroem.

*****

A strikingly individual Mahler First from The Hallé and Alexander Joel

Rohan Shotton, 14th November

Alexander Joel conducts The Hallé in Mahler's First Symphony and Korngold's “Hollywood” Violin Concerto.

****1

Strong chamber performances win admiration in Seattle

Erica Miner, 3rd July

The Seattle Chamber Music Society presented an ambitious program with a distinguished ensemble of performers.

***11

A magical mystery tour of Imperial Russia

Alexander Hall, 3rd February

The London Philharmonic Orchestra and their Principal Conductor Vladimir Jurowski open their new series "Changing Faces: Stravinsky's Journey" in grand imperial style.

****1

Gergiev and his Mariinsky players spin stories at Cadogan Hall

Alexander Hall, 9th October

In this second Mariinsky concert Kristóf Baráti was a fine but miscast soloist in Stravinsky’s violin concerto, with rich narrative pickings from Rimsky-Korsakov and his illustrious pupil.

****1

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Sydney Boyd

Sydney Boyd is an arts writer, scholar, and violinist. She has been a music critic in Houston since 2012 and is the blog author of Girl at the Opera. She has a Ph.D. in English literature from Rice University, where she currently holds a post-doctoral Spatial Studies fellowship in the Humanities Research Center.

Exposing Beethoven: Baráti and Würtz with Da Camera of Houston