Rechercher des événements de musique classique, opéra et ballet
Événements à venirEn voir plus...
Bad LauchstädtRinaldo (with marionettes)
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Haendel: Rinaldo
Wolfgang Katschner; Eugenio Monti Colla; Compagnia Marionettistica Carlo Colla e Figli; Franco Citterio; lautten compagney BERLIN
Bad LauchstädtGiustino (with marionettes)
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Haendel: Giustino
Wolfgang Katschner; Eugenio Monti Colla; Compagnia Marionettistica Carlo Colla e Figli; Franco Citterio; Cecilia Di Marco; lautten compagney BERLIN
Bad LauchstädtAriodante (with marionettes)
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Haendel: Ariodante
Wolfgang Katschner; Giovanni Schiavolin; Compagnia Marionettistica Carlo Colla e Figli; Franco Citterio; Cecilia Di Marco; lautten compagney BERLIN
SalzburgIl ritorno d'Ulisse in patriaNouvelle production
Monteverdi: Il ritorno d'Ulisse in Patria (Le Retour d'Ulysse dans sa patrie), SV 325
Gianluca Capuano; Compagnia Marionettistica Carlo Colla e Figli; Les Musiciens du Prince – Monaco; Vito Priante; Sara Mingardo; Massimo Altieri
Critiques récentesEn voir plus...
Le Fidelio inclusif de Dudamel avec le LA Phil à la Philharmonie
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Ironie du sort, un an après sa démission de l'Opéra de Paris, le chef vénézuélien est de retour à Paris pour un opéra mis en scène... à la Philharmonie ! Pour un résultat mitigé.
Turangalîla underwhelms at the Southbank’s Multitudes festival
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Serious music ill-matched by filmic limitations as the Royal Philharmonic Orchestra tackles Messiaen’s epic “symphony” as part of the Southbank’s cross-genre festival.
Aurora Orchestra pulls off another dramatic performance from memory
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Nicholas Collon and the Aurora Orchestra, together with Frantic Assembly, present an illuminating analysis of Shostakovich's Fifth Symphony, followed by a blistering account of the work from memory.
Mozart meets Vaudeville in Seattle's silent movie Magic Flute
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Eye-popping, hand-drawn animation melds with Mozart's fantastical world and the silent film era to create a colorful and energetic new-to-Seattle production.
Carmen for everybody and nobody at the Holland Festival
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This is not Carmen, but then Wu Tsang's bizarre meta-work, originally commissioned by Schauspielhaus Zürich, is all about breaking ties with convention.
The LA Phil's Fidelio with Deaf West Theatre gives Beethoven a voice
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Gustavo Dudamel's concept of a semi-staged Fidelio in collaboration with Deaf West Theatre gives a voice to Beethoven so enormous that those with hearing impairments can surely hear.
Die Dreigroschenoper becomes L’Opéra des quat’sous in Aix
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Brecht and Weill’s political satire could hardly be more relevant, but Thomas Ostermeier and Maxime Balcon's new production fails to do it justice.