Opéra national de Paris: Opéra Bastille120 rue de Lyon, Paris, Île-de-France, 75012, France
Dates/horaires selon le fuseau horaire de Paris
Programme
Puccini, Giacomo (1858-1924) | Il tabarro | Livret de Giuseppe Adami |
Puccini, Giacomo (1858-1924) | Suor Angelica | Livret de Giovacchino Forzano |
Puccini, Giacomo (1858-1924) | Gianni Schicchi | Livret de Giovacchino Forzano |
Artistes
Opéra national de Paris | ||
Orchestre de l'Opéra national de Paris | ||
Chœurs de l'Opéra national de Paris | ||
Chœur d'enfants de l'Opéra National de Paris | ||
Philippe Jordan | Direction | |
Luca Ronconi | Mise en scène | |
Gianni Schicchi | ||
Juan Pons | Baryton | Gianni Schicchi |
Éric Huchet | Ténor | Gherardo |
Marta Moretto | Contralto | Zita |
Barbara Morihien | Soprano | Nella |
Ekaterina Siurina | Soprano | Lauretta |
Juan Francisco Gatell | Ténor | Rinuccio |
Alain Vernhes | Basse | Simone |
Roberto Accurso | Baryton | Marco |
Marie-Thérèse Keller | Mezzo-soprano | La Ciesca |
Yuri Kissin | Basse | Maestro Spinelloccio |
Christian Helmer | Baryton | Ser Amantio di Nicolao |
Ugo Rabec | Basse | Pinellino |
Alexandre Duhamel | Basse | Guccio |
Il tabarro | ||
Marco Berti | Ténor | Luigi |
Mario Luperi | Basse | Talpa |
Oksana Dyka | Soprano | Giorgetta |
Suor Angelica | ||
Tamar Iveri | Soprano | Suor Angelica |
Luciana D'Intino | Contralto | La zia principessa (La tante princesse) |
Marie-Noëlle Vidal | Soprano | Sœur bavarde 1 |
Amel Brahim-Djelloul | Soprano | Suor Genovieffa |
Claudia Galli | Soprano | Suor Osmina |
Cornelia Oncioiu | Mezzo-soprano | La suora infermiera (La sœur infirmière) |
This Triptych is perhaps the only work in the operatic canon to resemble the novella in the literary sphere. Nothing seems to unite these three utterly different moments other than their very dissimilarity and Puccini's determination to ensure the clash of contrasts: a drama of banal jealousy unrelieved by any transcendence, a mystical and supernatural tragedy, a macabre and brilliant opera buffa. What can the banks of the Seine in early 20th century Paris have in common with an 18th century convent and mediaeval Florence? A memory of Dante, perhaps... the hell that is ever beneath our feet and human nature that is the same always and everywhere. Puccini's beloved intimism is shattered, showering its reflections on all sides: here, in three shards, is the great theatre of the world. Musical director Philippe Jordan conducts this rare monument to Puccini's genius in Luca Ronconi's staging.